摘要
本文以2005年文坛围绕贾平凹长篇新作《秦腔》的评论产生的“先锋批评”的“集体言说”和“集体缄默”现象为缘由,探讨“先锋批评”为何从20世纪80年代后期的新锐批评运动变成当前“消费”转型时代的文化速写。作者的基本观点是:“先锋批评”在对当前消费现实的直接认同中放弃了文学批评的批评性;“先锋批评”应当对批评的价值观、视野和距离做必要的自我校正,重建批评立场,恢复批评性。
This paper is written on the occasion when the “collective speech”and “collective silence” of “avant-garde criticism” come into being out of the commentaries on Jia Pingwa’s new work Shaanxi Opera. It discusses the reason why “avant-garde criticism” has changed from the new and sharp criticism in the late 1980’s into the present cultural sketches at the transitional period to the “age of consumption.” The author believes that “avant-garde criticism” has abandoned the criticalness of literary criticism in its identification with the reality of consumer society. It should set right its values, perspectives and distance of criticism in order to reconstruct its critical position and restore its criticalness.
出处
《文艺研究》
CSSCI
北大核心
2005年第12期13-22,共10页
Literature & Art Studies
