摘要
中国现代的艺术意象理论基本上是传统的艺术意象理论的发展和延伸,而中国现代的艺术形象理论则首先是“拿来主义”传释行为的结果,其后才是作为“舶来物”的西方艺术形象理论与中国传统的艺术意象理论在相互映照、相互渗透中“中国化”过程的呈现。由于艺术意象理论汲取了艺术形象说的合理内核,今日艺术理论的发展正在展露出这样一种趋趋势:经过现代阐释的艺术意象理论将取代舶来的艺术形象理论。
The modern Chinese artistic subjective imagism has been basically developed and extended from its ancient counterpart. The modern Chinese artistic objective imagism, however, is a result of “adaptationism”; it has been a representation of the inter-permeation and inter-reflection of the Western objective artistic imagism and the traditional Chinese subjective artistic imagism. As the subjective artistic imagism has taken in the rational crux of the objective artistic imagism, the present development of theories on art . has such a trend that the modern subjective artistic imagism is replacing the objective artistic imagism.
出处
《广西师范大学学报（哲学社会科学版）》
2005年第4期42-46,共5页
Journal of Guangxi Normal University(Philosophy and Social Sciences Edition)
关键词
意象
形象
理论
融合
subjective imagism
objective imagism
theory
amalgamation
