摘要
前人在把握民间舞蹈不可变性的创作实践中,经历了“脱俗变雅”,由“内容出发”和“从形式到形式”三个阶段。而今人在创作中应该把握:以宏观的角度评判民间舞蹈创作;还要面对新思潮的影响有选择地接受,以保持民间舞蹈淳朴的民族性。
The practice of immutability of the folk dance has experienced three stages： “changing from common to elegance”,“evaluating content” and “from form to form”. Today we should not only evaluate the folk dance originity from the macro-- scopical angel but also accept influence of the new thinking with choice to keep the ethical feathers of the folk dance.
出处
《内蒙古大学艺术学院学报》
2005年第3期85-89,共5页
Journal of Art College of Inner Mongolia University
关键词
民间舞蹈
不可变性
宏观审美观
folk dance
immutability
macro scopical view of aesthetics
