摘要
本文以威廉·布莱克的《天真之歌》的四种译文为例,试图描述翻译的居间特性。本文认为,翻译存在于始发语与接受语二者之间,因而得以独立地中道而行;同时指出,作为一种朦胧区域,翻译以其义有两歧的含混性总是为牵涉到的文化提供新的可替换之物作为资源,并以此使之不断增强力量,进而也使文化的“对列之局”或儒学意义上的共同精神成为可能。
Taking four Chinese versions of William Blake＇s poem Auguries of Innocence as an example, this paper intends to describe the mediate characteristic of translation, which, existing between the source and the receptor languages, goes independently along the middle road. It also argues that translation as such a twilight zone would always provide new alternatives to the cultures concerned as resources and thus empower them ever increasingly in its ambiguous tension pulled toward two directions, making possible their coordination or common spirit in the Confucian sense.
出处
《外国语》
CSSCI
北大核心
2005年第5期61-67,共7页
Journal of Foreign Languages
关键词
翻译
居间
朦胧区域
对列之局
儒学
translation
mediation
twilight zone
coordination
Confucianism
