摘要
阐述了余华创作观念的变化及其在作品中的体现,指出余华创作观的这种变化的根本因素,在于他实现了从"小我"到"大我"的转化。
Explains the transformation of Yu Hua＇s creation concept and the embodiment in his works. Points out that the basic factor of the transformation lies in that he has realized the transforming from physical self to social self.
关键词
余华
创作观
小我
大我
非知识分子立场
Yu Hua
creation concept
physical self
social self
non-intellectual＇s position
