摘要
以勋伯格为代表的新维也纳乐派使传统的调性音乐走到了尽头,开创了自由无调性音乐,十二音序列音乐,后来又被其他作曲家继续发展为整体序列音乐。上世纪六十年代,在美国兴起的简约派音乐,摆脱了西方音乐追求戏剧性高潮的传统。
Neo-Vienna group, represented by Schoenberg ended the era of the classical tonal music and started the free, atonal manner, the twelve pitches serial music, which later was called by other composers as integral serialism. In the 60＇s of last century, minimalism rose up in the United States and freed from the convention of dramatic climax in the style of western music.
出处
《燕山大学学报（哲学社会科学版）》
2005年第3期85-87,共3页
Journal of Yanshan University:Philosophy and Social Science
