摘要
从苏(轼)词到姜(夔)、张(炎)词贯串着一条主线,即对清境的追求,这种清境的形成受到禅宗较大影响。清境是禅境的一种,禅意是清境的来源之一,禅意与清境的有机交融即形成禅意清境,这种禅意清境在词作中多有表现。姜、张词的禅意清境有继承苏词的一面,也存在明显的不同,具体来看,表现在四个方面:1.苏词多具体的禅理禅意,姜、张词多泛化的禅宗审美符号;2.苏词重人生感悟之清旷,姜、张词重自然山水之清幽;3.苏词重精神意度之清,姜、张词重形态外貌之清;4.苏词乃阔大超迈之清,姜、张词乃细微精巧之清。
A masterstroke rums from Su Shi＇ s poems （ Ci ） through to those of Jiang Kui＇ s and Zhang Yan＇ s, i.e. the pursuit of the so- called Zenist serenity greatly influenced by Zenism in its self- formation. The Zenist serenity is variously embodied in poetry （Ci）. Jiang Kui＇ s and Zhang Yan＇ s poems, though inherited the characteristics of those of Su Shi＇s, are, however, quite different from Su Shi＇s. Their differences are demonstrated in the following four aspects. First, Su Shi＇s poems involve more philosophical arguments, whereas Jiang＇s and Zhang＇s are rich in general aesthetic symbols. Secondly, the former emphasizes the sentiments of life, while the latter gives prominence to nature and landscapes. Thirdly, the former values spirit, but the latter stresses appearance. Fourthly, while the former is bold and unconstrained, the latter is refined and subtle.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2005年第3期51-54,共4页
Journal of Shandong Normal University(Humanities and Social Sciences)
关键词
禅意清境
人生感悟
自然山水
禅意符号
Zenist serenity
sentiments of life
nature and landscapes
Zenist symbols
