摘要
从文学的意义上讲,战后的抗日文学才是真正的抗日文学。前30年的抗日文学虽涌现出一批较优秀的文学作品,但整体发展并不尽如人意。新时期的抗日文学不仅完成了从“文学抗日”到“抗日文学”的历史性转变,也开创了中国抗日文学的新时代。变化得以实现的主要原因,在于文学走出了以民族的最高利益为单一立场的国家化叙事模式,也走出了战后30年以意识形态为主要立场的集体言说方式,开始了立足于民间视野和个人话语基础之上的抗日历史的文学重构与叙述。
As far as literature is concerned, the Anti-Japanese literature in post-war period is the real one. A passel of excellent Anti-Japanese works appeared in the first 30 years but beyond satisfaction on the whole. The Anti-Japanese literature in new period does not only accomplish the transformation from the literary resistance against Japan to the anti-Japanese literature but also inaugurates a new era of the anti-Japanese literature. The main reason lies in that the Anti-Japanese literature goes out of the nationalization narrative pattern for the sake of nation in time of war and the narrative pattern of the group for the sake of ideology to a reconstruction and re-narrative about history of the War of Resistance Against Japan based on the folk vision and individual discourse.
出处
《理论学刊》
北大核心
2005年第9期108-112,共5页
Theory Journal
关键词
文学抗日
抗日文学
战后30年
新时期
民间立场
个人话语
Resistance against Japan with literature
anti-Japanese literature
30 years after post-war
New period
folk vision
Individual discourse
