摘要
中国新诗的形式焦虑促进了诗学对诗式问题的思考,五四时代的自由精神确立了自由体诗式的合法性,而新格律诗派的诗式理论则从艺术的本质上重新建立起了人们对诗的格律的信心。20世纪30年代以后,现代诗歌诗式理论在依托资源方面发生了意见分歧,现代诗歌体式的建立最终向中国古典诗歌回归,一方面显示了现代诗学与传统的接续,一方面也使得现代诗式的理论探讨逐渐退出了现代诗学的中心位置。
The legality of free verse in Chinese modern poetry was set up in May the Fourth New Cultural Movement. And the new rules of Chinese modern poetry set up by the poets stressing rules and forms of classical poems evoked people's confidence in the rules of Chinese poem.After the 1930s, the theory of poetic form of modern poetry came closer to the traditional Chinese classical poetry, and the theoretical exploration of the forms of modern poetry retreated from the center of modern poetics.
出处
《汕头大学学报（人文社会科学版）》
2005年第4期21-26,共6页
Journal of Shantou University(Humanities and Social Sciences Edition)
关键词
现代新诗
诗式
自由体
格律体
modern poetry
form of poetry
free verse
rules and forms of classical poems
