摘要
自大航海时代起各国画家为形象地传递发现的新世界及地理变化,将各地风貌记录于一系列地志画。近代史上中西交往的重要海港城市澳门也是创作地志画的重镇之一。画家笔下的澳门城市景观与建筑作品,客观地描述了城市的变迁,是摄影时代之前珍贵文献。笔者依据地志画所见,阐述漫长的四百余年中,澳门城市与建筑从自由发展逐渐走向有规划的建设过程,以及它所经历的以东方建筑为主向西洋建筑过度、再到东西方建筑样式相互融合的过程。
Since the Age of Discovery,artists from the nations have recorded landscape throughout topographical painting in order to convey the image of the New World and geographical changes suitably. As an important port city on exchange between China and Western in modern history, Macao was the creative center of topographical painting. The paintings about the urban landscape and architectural works of Macao, describe the changes of the city vividly, and acted as the rare literature before the era of photography. Based on topographic paintings, the paper describes the 400-year history on the evolution of thecity and its buildings, from laisser faire to planned development, from East-style to Western-style then to the mutual integration.
出处
《南方建筑》
2012年第1期22-27,共6页
South Architecture
关键词
澳门艺术
城市与建筑
地志画
中葡关系
Macao art
city and building
Topographical painting Bilateral
relations between China and Portugal
