摘要
悲剧人物形象分“有为型”悲剧形象、“无为型”悲剧形象,它们既决定了悲剧展现方式———强式与弱式,又决定了悲剧审美类型———“高调悲剧”、“低调悲剧”。“高调悲剧”以“入世”理想激情鼓舞人们热爱生活、创造生活,带给人们积极入世的热情的崇高感、奋斗感,让“黑暗王国的一线光明”闪烁。“低调悲剧”以“出世”态度迫使人们反思世界与自己,它促使人们怀疑生活、批判生活、理解生活,带给人们消极出世的冷漠的失落感、超脱感。“高调悲剧”、“低调悲剧”满足人们多重情感需要,满足了不同人的不同审美欲望,因而悲剧才具有无穷魅力。
Characters in tragedy can be divided into “minded tragic characters” and “ no-minded tragic characters”,tragedy can be divided into “high tragedy” “low tragedy”. People can get those feelings such as worship tragic characters and struggle for themselves from “high tragedy”. People can get those feelings such as disappoint for tragic characters and stand aloof the society while watching “low tragedy”.
出处
《齐齐哈尔大学学报（哲学社会科学版）》
2005年第4期9-12,共4页
Journal of Qiqihar University(Philosophy & Social Science Edition)
