摘要
文化心理是研究沈从文的重要窗口。新的道家思想形成了沈从文独特的文化心理结构,其中“静”的捕捉和“美丽总使人忧愁”的风格尤为醒目。现代批判是沈从文文化心理的另一重要方面,汉人、“海外飞来的蝗虫”、阉寺性等都被他视为堕落,“病”更是他经常使用的意象。解放后,面对“信仰单纯、行为一致”的时代,沈从文从不能适应到对“思”与“信”的反思,最终在回归传统文化中显示出无从驯服的斑马的心理特征。
Cultural psychological perspective is an important window on learning about Shen Congwen. The new Taoist ideology forms his peculiar cultural, psychological structure in which capturing 'stillness' and expressing that 'beauty always makes people sad' are especially prominent. Modern criticism is on another aspect of his cultural psychology: the Han people, 'locust flying from abroad', asexualization being depravity, and 'illness' being oft-used image. After 1949, in the time of 'simplified belief and uniform behavior', Shen was unable to adapt himself to the self-thinking of 'thinking' and 'believing' and finally he was of wild nature in returning to traditional culture.
出处
《新疆大学学报（社会科学版）》
2005年第4期134-138,共5页
Journal of Xinjiang University(Social Science Edition)
