摘要
本文主要根据徽州木雕的特点,从绘画图式角度加以认识,并归纳为平面装饰程式、立体化图式与民俗化图式。文中对每种图式又分别作了较为充分合理的阐述,突出了徽州木雕独特的艺术魅力。
The thesis; based on their characteristics; interpretes the HuiZhou woodcarvings in the viewpoint of painting patterns; and reduces to three patterns; the pattern of plane ornament; the solid pattern and folk-custom one. The article expatiates upon each pattern fully and logically; and gives prominence to the artistic fascination of HuiZhou woodcarvings.
出处
《南京艺术学院学报（美术与设计）》
北大核心
2005年第3期38-39,共2页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
徽州
木雕
HuiZhou
woodcarvings
