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天使的堕落和天堂的乡愁——夏加尔的绘画与伊里亚德的神学 被引量:3

The Fall of the Angels and the Melancholy in the Paradise:The Paintings of Marc Chagall and the Theology of Mircea Eliade
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摘要 本文试图通过对夏加尔绘画和伊里亚德神学之间关系的探讨,参与在20世纪一位艺术家和一位宗教史学家之间曾经展开的对话,到一个世俗化的世界中去寻找神圣的意义,并进而发现夏加尔艺术和整个现代西方艺术中存在的宗教意味。 This paper attempts to discuss the relation between the paintings of Chagall and the theology of Eliade in order to participate a dialogue between an artist and a theologian and to search for divine meaning in the secularized world, thus rediscovering the religious significance in Chagall as well as in the whole modern western art.
作者 耿幼壮
出处 《文艺研究》 CSSCI 北大核心 2005年第5期111-122,共12页 Literature & Art Studies
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参考文献48

  • 1Mircea Eliade, Symbolism, the Sacred, and the Arts,ed. Diane Apostolos-Cappadona, New York: The Crossroad Publishing Company, 1985,pp.81-82.
  • 2Marc Chagall on Art and Culture, ed. Benjamin Harshav,Stanford: Stanford University Press,2003,p.83.
  • 3Franz Meyer, as quoted in Marc Chagall, exhibition catalogue, New York: Harry N. Abrams, Inc,2003,p.178.
  • 4Marc Chagall on Art and Culture, p.148.
  • 5Mircea Eliade, Symbolism ,the Sacred,and the Arts, p.91.
  • 6Mircea Eliade, The Quest: History and Meaning in Religion, Chicago: The University of Chicago Press,1969.
  • 7Mircea Eliade,A History of Religious Ideas, vol. I, Chicago: The University of Chicago Press, 1978,p.xiii.
  • 8Mircea Eliade, The Sacred & the Profane, New York:Harcourt, Brace & World, Inc, p.9.
  • 9Rudolf Otto, The Idea of the Holy, trans. John Harvey,London: Oxford University Press, 1923, p.69.
  • 10Finley Eversole,“The Brave New World of the Modern Artist,”in his ed. Christian Faith and the Contemporary Arts, p.46.

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