摘要
在“音乐文献学”的名义下,音乐界对“音乐文献学”学科有两种界定:一是继承中国古典文献学传统的中国音乐文献学;一是运用现代文献的管理方法对音乐文献进行科学管理与编录的“音乐图书情报学”。音乐文献学正在成为音乐学研究的新视角,融会贯通古典与现代两种意义上的“音乐文献学”,是音乐学学术发展的必然趋势。
In the name of Musical Philology, there are two definitions to the subject of Musical Philology in the music circle: the Chinese musical philology based on the Chinese ancient philology, and the Musical Library Informatics, which is to manage as well as extract and edit the musical literature with the modern administer method. The musical philology is being to the new viewpoint of the musicology research, from the ancient meaning to the modern significance of the musical philology; through comprehensive research is the inevitable course for academic development of the musicology.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2005年第2期3-13,共11页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
音乐文献学
音乐图书情报学
目录学
音乐古籍整理
杨荫浏
黄翔鹏
王小盾
musical philology, musical library informatics, catalogue science, catalog of ancient music books, Yang Yinliu (1899~1984), Huang Xiangpeng (), Wang Xiaodun ()
