摘要
通过分析有关壮族歌谣习俗的历史文本,认为传统书写文化观照作为口承文化的壮族歌谣习俗时表现出多重话语内涵和不平等性的特征。这种视角的根源是文化在发展规律上客观存在强势文化轻视、忽视弱势文化的历史局限性及传统书写文化在重文轻言、以文构权的思维定势下形成文化中心主义的主观局限性。由此提出应重视从口承文化的视野观照歌谣民俗,进而重新审视书写文化语境下口承文化的价值及地位。
Through the analysis of the historic documents of relevant ballads folk custom, this paper finds out that they have ambiguous cannotations. This perspective results from the objective fact that in the development of culture, strong cultures do have dispised and neglected weak cultures, and that in traditional textual culture, emphasis has been given to textuality while orality is overlooked. Therefore, the author suggests that importance be attached to Zhuang ballads from the perspective of oral culture, and oral culture be reassessed in the context of textual culture.
出处
《广西民族学院学报（哲学社会科学版）》
CSSCI
北大核心
2005年第2期127-132,共6页
Journal of Guangxi University For Nationalities(Philosophy and Social Science Edition)
关键词
传统书写文化
口承文化
壮族歌谣习俗
话语权
traditional textual culture
oral culture
Zhuang ballads
discourse right
