摘要
版画艺术在山西抗日根据地文化中占有十分重要的地位,版画艺术从欧化倾向到大众化、民族化的过程集中反映了山西抗日根据地文化的演变。考察版画艺术在山西抗日根据地的实践与变迁,探寻在民族危亡的战火中根据地文化演变的历史,使我们进一步看到启蒙与对立、激进与保守、个体与群体、世界化与本土化的多元对立,进而凸现出根据地文化景观的深刻内涵。
The art of woodcut had a very important role in the culture in Shanxi Anti-Japanese base. Its evolution, from the European style to a popular and national style, mostly reflected the cultural evolvement in Shanxi Anti-Japanese base. The cultural practice not only built up the Chinese nation's confidence to resist enemies, but also confirmed the Chinese Communist Party's status . However, we have to face the frailty of this art in the base culture and the tragic spirit of the intelligentsia.
出处
《晋阳学刊》
北大核心
2005年第2期8-10,共3页
Academic Journal of Jinyang
关键词
版画
大众化
文化演变
print
popular style
cultural evolvement
