摘要
《浣溪沙》是唐宋词坛上使用频率最高的“第一调”,苏轼则是《浣溪沙》创作数量最多的“第一人”。在《浣溪沙》的创作中,苏轼不仅突破了传统的“艳科”格局,拓展了题材内容的表现范围,提升了词体文学抒情言志的艺术品格,而且在形式体制的运用、人物形象的刻画、语言艺术的表现等各个方面都有所创新。透过《浣溪沙》这一词调的创作,我们依然能够看到苏轼对宋词的发展所作出的重要贡献。
Huanxisha is the 'first', that is, most frequently employed, tune in the Tang and Song Ci, and SU Shi is the 'first' poet who produced the largest number of Huanxisha pieces, in which he brought forth new ideas in its form, language, character portrayal, etc. as well as broke through the traditional erotic themes and thus elevated the artistic quality of emotional and aspirational expression of the Ci. By way of studying his creative works with this very tune, we can be ware of SU Shi's important contributions to the development of the Song Ci.
出处
《湖北大学学报（哲学社会科学版）》
北大核心
2005年第2期176-182,共7页
Journal of Hubei University(Philosophy and Social Science)
关键词
唐宋词
词调
苏轼
浣溪沙
创作成就
the Tang and Song Ci
tune
SU Shi
Huanxisha
creative achievements
