摘要
本论文试图以发展的史学眼光,把“张爱玲电影”作为一个电影现象的整体,通过对其近半个世纪以来的历史过程的描述,对“张爱玲电影”中表现出的“市民文化”的发展作深入的分析,从而找寻出“市民文化”在电影中的发展痕迹。同时通过对“张爱玲电影”的文本分析,阐释文学作品与电影机制之间的关系,探寻、总结出“张爱玲电影”独有的文化视点及文化趣味多次在电影史上突现的根源,对其在历史发展的过程中显现出的不同形态进行研究,也使我们在一定程度上对香港电影的历史、文化渊源有进一步认识。
In the historic view Zhang Ailing's Movi es was addressed as a whole film phenome-no n. Through the describing of the historic p rocedure for around half a century this pa per gives a deeply analysis on the developm ent of ″citizen culture″ reflected in Zhang Ailing's Movies and by which seeks out the development clues of ″citizen culture″ in film history. Meanwhile the text analysis upon Zhang Ailing's Movies explains clearl y the relation be-tween the literature work s and the film mechanism discriminates the foundational reasons why the particular cu ltural point view of Zhang Ailing could be k ept in Movies. The re-search on the differe nt forms of Zhang Ailing's Movies could als o be helpful to studies on the history and c ulture of Hong Kong film.
出处
《北京电影学院学报》
CSSCI
北大核心
2002年第5期10-22,共13页
Journal of Beijing Film Academy
