摘要
周邦彦的词不仅在创调、音律方面值得称道,在主体介入和感事纪实方面也有自己的特点。通过多角度写景、体物、叙事、抒情,展现出一个羁苦、孤独的词人形象,并以纵向的时间维度立体再现其主体形象的发展过程,使词具有鲜明的个性气质。周邦彦的长调还运用了铺叙、赋笔和散文化等手法,使叙事更加宛转细腻,曲折回环。
Zhou Bang-yan not only successes in creating tonal patterns in his ci-poem, but also has his own specialties in subject intervention and narration .By portraying scene, realizing substance, narrating matter and expressing his emotion, we can imagine a lonely image. Besides, the subject has a developing progress as time passing by .All of these make his ci-poem have his own individuality and personality. He usually narrates in details and uses prose methods in chang-diao of ci-poem, so his ci-poem take on mild and indirect traits.
出处
《广播电视大学学报（哲学社会科学版）》
2005年第1期38-41,共4页
Journal of Radio & TV University(Philosophy & Social Sciences)
关键词
周邦彦
主体介入
感事纪实
Zhou Bang-yan
Subject intervention
Narration
