摘要
赋比兴--有画意象--抽象意象是中国诗歌意象史的三个阶段。"诗中有画"确实是王维代表的唐诗的艺术特质,苏轼将王维"诗中有画"式的意象,变革为内心展延的比喻意象。典故意象是别一种意义上的比喻意象。
The history of image of Chinese poetry sees three stages in its development, from the use of descriptive, metaphorical and emotive expressions, to the creation of pictorial image and figurative image. It was really the artistic characteristic of the poetry in the Tang Dynasty represented by Wang Wei to make the poems full of mental pictures. Su Shi transformed the pictorial image in Wang Wei's poems by extending it to become the figurative one. The image of allusion is a figurative image of another kind.
出处
《新疆大学学报（社会科学版）》
2005年第1期109-114,共6页
Journal of Xinjiang University(Social Science Edition)
