摘要
明初永乐后期到成化前期的半个世纪,是整个散曲文学发展历史上最为萧条的时期。此时散曲衰微的主要原因在于:明初统治者选贤用能、仕路大开的人才政策瓦解了散曲作家队伍;学校教育和科举选士重性理薄文学,文士耻于词曲之道,由此遏制了散曲文学的创作和传播;政治相对清平,士风振拔,如元代仕路淤塞、士多怨叹的局面不复存在,由此基本铲除了散曲文学生长的社会文化土壤。因此,此时散曲文学衰微成必然之势。
The particular period between late Yongle and early Chenghua of Ming Dynasty witnessed the decline of Sanqu in its literary history of development, which lasted nearly half a century. It was an inevitable trend then. The causes of its decline were various. Firstly, a team of Sanqu composition was disintegrated in the early Ming Dynasty by the ruling policy of relinquishing posts in favor of those better qualified. Secondly,it was the rational study rather than liter-auture that was focused in the schooling and inperial examination system, which limited the creative writing and propagation of Sanqu. Writers regarded Sanqu composition as a disgrace. What is more, compared with those better - qualified but hopeless scholars in Yuan Dynasty, who would give vent to literature, the socio - cultural soil for Sanqu composing was eliminated in times of political peace and prosperity in early Ming Dynasty.
出处
《学术月刊》
CSSCI
北大核心
2004年第12期84-87,共4页
Academic Monthly
基金
本文为2002年国家社科基金项目"明清散曲研究"(批准号为02BZW031)阶段性成果之一。
