摘要
在歌剧《白毛女》的话语构成体系中 ,虽然政治意识形态话语起了决定性的作用 ,文本内涵的主导层面已由政权意识所确定 ,但民间话语和代表五四传统的知识分子话语依然渗入其中并在相互作用中对文本话语体系的构成施加着不同的影响 ,使得看似单纯的剧作内蕴显现出一定程度的非单纯性 ,看似扁平的主要人物形象显现出一定的“圆润”度 ,同时 ,不同话语之间的或相融或抵牾的关系也使作品的内涵呈现出一定的多重组合性。
The political ideology takes a leading role in the discourse construction of the opera--White Hair Girl, and the major text connotation is determined by the political authorizing consciousness, while folk discourse and the discourse which represents the tradition of the intellectuals' in the May 4th Movement also penetrate into the text. And the different types of discourse interact with each other and place different influence upon the construction of the text. Consequently, the sole connotation of the text appears to non-single, and the 'flat' image of the main character, to some degree, appears to be 'in the round'. Furthermore, the conflicting or blending relationships among the different types of the discourse have diversified the connotation of the text. And this cultural diversity has left rooms to explore the text's implied connotation.
出处
《中国文学研究》
北大核心
2002年第3期61-64,共4页
Research of Chinese Literature
关键词
《白毛女》话语构成
隐伏内涵
White Hair Girl discourse construction implied connotation
