摘要
阳明心学美学在审美对象呈现方面与西方现象学意识相近或相通之处 ,主要体现在 :一、从审美对象意向性呈现的角度 (“意在为物”) ,体现了某种意向结构意识 ;二、从审美对象境域中呈现的角度 (“当下呈现”) ,体现了某种境域构成意识 ;三、从审美对象直观呈现的角度 (“物各付物”) ,体现了某种现象直观意识。
The approximations and similarities between Wang Yangming’s aesthetics of Xinxue and Western phenomenology in representing the aesthetic objects are as follows: 1) demonstrating a structural consciousness of the intention from the perspective of the intentional representation of aesthetic objects; 2) demonstrating a constitutive consciousness of the context from the perspective of contextual representation of aesthetic objects; and 3) demonstrating an intuitive consciousness of phenomena from the perspective of intuitive representation of aesthetic objects.
出处
《文艺研究》
CSSCI
北大核心
2004年第6期12-18,共7页
Literature & Art Studies
基金
"十五"国家社科基金项目阶段性成果
