摘要
在中国现代文学史上,沈从文是为数不多、纯粹意义上的"乡土文学"作家之一。其文艺创作以"本真的存在"为元话语,采用我思主体对本身的思考使其文艺作品成为社会公认的经典,而他本人却始终站在社会的对立面。在文艺作品具有社会性与作者本人站在社会对立面的悖论中,沈从文"本真"的生存方式消减了后者的独立存在,保留了前者在社会生活中的主体反思性,捍卫着反思主体的独立存在,这正是反思主体"本真"的存在方式在文艺创作实践上和思维范式上的体现,也是沈从文文艺创作的膨胀力和张力所在。
Shen Congwen is one of the few pure writers on Local Literature? in the histony of modern Chinese literature. In his literary creation, he applies the meta-discourse of Authentic Being to the reflection of the Subject-I-Think on self. His works of art are universally acknowledged as the classics by the society. Whereas he himself stands on the opposite side of the society from the very beginning to the end. In the paradox that the literary works of art are of social significance and the author himself or herself stands on the opposite side of the society, Shen Congwen?s existence mode of ?authentic? dissolves the independence of the latter, retains the subject's reflection in social life of the former and safeguards the independent Being of the subject on subject, which is the right embodiment of the authentic existence mode of the reflective subject in literary creation practice and thinking paradigm, representing Shen Congwen dilatation and tension in this literary creation.
出处
《吉首大学学报（社会科学版）》
2004年第4期58-61,共4页
Journal of Jishou University(Social Sciences)
关键词
本真
存在
审美反思性
沈从文
authentic
Being
aesthetic refection
Shen Congwen
