摘要
21世纪到来前夜,随着全球化浪潮的日趋强劲,世界电影却日渐呈现出一种在电影文化和审美上的多极均势和文明开化的新格局。以美国好莱坞为主流的电影工业,属于强势的一极;而众多不同国家拥有各自民族本源性文化血脉并富于审美原创性的本土电影,则属于弱势的多极,它们为能与好莱坞共存而被激发出一种新的多边主动性。由此乃在全球化空间里,渐次构成一个各具人文特征与审美品质,并且互难替代、多边互动、多元共生的竞技场。
At the eve of 21 century,with the tide of globalization getting ever higher and stronger,there emerged a new world film trend in terms of film culture and aesthetics. American Hollywood films constitute the mainstream and dominated the film industry,while many other national films imprinted with rich cultural and creative signatures,though marginalized,survived in the face of Hollywood power through their creative and new versatile approaches embodied in the works. With it,a new stage of competition is being waged within the framework of globalization,with multicultural survival as its premium. Marked by humanistic,ethical and aesthetic values,they are versatile,mutually interactive,and hard to be replaced.
出处
《北京电影学院学报》
CSSCI
北大核心
2004年第5期10-18,共9页
Journal of Beijing Film Academy
