摘要
“悲美”与“悲怨”是文艺美学中两种不同的概念 ,学界对此却常常发生常识性的误解。“悲美” ,即“以悲为美” ,是自古以来的一种客观审美现象 ,指文学艺术的接受者对文艺形式中蕴涵的悲哀所进行的审美追求与欣赏 ;悲怨 ,即对某种行为和事件的悲愤与怨情。前者是一种审美心理 ,具体来讲是一种审悲快感 ;后者则是一种创作心理 ,是主体在现实生活中灰色情绪的文学表述。从理论上说 ,前者是欣赏论 ,后者是创作论。至于对“以悲为美”的发生机制与心理原因的探讨 ,一直难有正解。
and bei yuan, that is, solemnity and resentment, are two different perceptions commonsensical to the aesthetic circle but are quite often misunderstood in the academic field. Bei mei, or solemnity as beauty, is an objective aesthetical phenomenon since time immemorial, which is used to refer to an aesthetic pursuit and appreciation of the solemnity expressed in literature and art. Bei yuan refers to grief and indignation for certain acts and events. The former is a psychological reaction, and specifically, an aesthetic pleasure. The latter, being a state of mind in the act of creation, is a literary expression of the gloomy mood of the subject in reality. Theoretically, the former is about appreciation, and the latter about creation. It has always been difficult to have a generally accepted opinion of the reason why Bei mei is a generic and psychological process.
出处
《文艺研究》
CSSCI
北大核心
2004年第5期47-52,共6页
Literature & Art Studies
