摘要
作为 2 0世纪中国著名音乐家 ,贺绿汀的音乐作品有着深厚的中国民族特色。然而一个引人思考的现象是 :他早期的音乐创作除钢琴作品外 ,在流行音乐创作上 ,也有比较积极的参与态度 ,30年代上海曾传颂一时的《天涯歌女》、《四季歌》、《秋水伊人》等具有经典性的流行音乐作品 ,就是一个最好的佐证。本文基于贺绿汀与 2 0世纪早期中国流行音乐的关系 ,考察与探讨了贺绿汀音乐多元观念的形成。
As a well-known Chinese musician in 20th Century, He Lvting's music work had a quite deep profound Chinese nationality characteristics. There is a phenomenon, however, should be noticeable: in He Lvting early music, he composed a quite number of pop music songs besides the piano works. The songs like Tianye Genv (professional female singer), Siji Ge (song of four seasons), Qiushui Yiren (fair lady with waters-limpid eyes) were good examples, which as classic pop music in Shanghai in the 1930s. Based on the relationship between He Lvting and the Chinese pop music in the early stage of 20th century, the article discussed the multi entity ideas in his music, his cultural and artistic accumulate inside, as well as the pop music and himself to influence and edification to the later generations
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2004年第4期10-12,共3页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
贺绿汀
中国流行音乐
都市文化
He Lvting (1903～1999), Chinese Pop music, city culture
