摘要
本文就现今山水画学习与创作中的一些现象,结合自己在山水画实践中的体会,对如何“更好地去把握传统技法”这一命题,力求以史为鉴,从五个方面重点阐述了以“程式化”为主的高度意匠与泥古不化的“公式化”现象之间的质的区别。文中还着重谈到了山水画中程式化表现技法产生和发展的历史以及如何的继承与创新,提醒我们在学习与创作山水画时,切勿一味的套用程式以至落入公式化的圈套。
The thesis sets forth historically the essential distinctions between stylization and formulism through five respects by citing some phenomena in learning and creating landscape paintings, and combining with my own practical experience. The text also discusses the history of the landscape paintings, and the issues of carrying on and innovating them; reminds us of not applying formulas blindly and mechanically and falling into the trap of formulism.
出处
《南京艺术学院学报（美术与设计）》
2004年第4期106-110,共5页
Journal of Nanjing Arts Institute:Fine Arts & Design
关键词
程式化
公式化
山水画
表现技法
传统
创新
stylization, formulism, landscape paintings, expressive technique, tradition, innovation
