摘要
文章从当代民族音乐学的诸多方面变化入手,论及音乐民族志写作风格的转变;强调音乐研究中的历时性作用,以及在研究领域中的有效拓展等。文章同时论述这些对当代中国民族音乐学界产生的影响。强调民族音乐学研究工作应与人类学的方式、方法逐步渗透,认为学科趋势由“民族音乐学”向“音乐人类学”的转移似已成必然。
From various change sides of the contemporary ethnomusicologist, the article discussed the conversion of the writing style to musical ethnography, and enforced the diachronic effect in music research and the development of the research field. The article also dissertated those issues affection the circles of Chinese ethnomusicologist. It emphasized that the research of ethnomusicologist should infiltrate into the methof of anthropology. The writer held that it's an inevitable conversion for the subject tendency from the ethnomusicologist to the music-anthropology.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2004年第3期3-7,共5页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
中国
当代
民族音乐学
趋势
音乐人类学
China, contemporary era, ethnomusicologist, tendency, music-anthropology
