摘要
李白乐府点化旧作而自出新貌的方式可以归纳为三种情况:一是通过塑造人物形象、间接抒情和穿插议论,使题旨不变而寄寓个人情志;二是题旨不变而转换感情基调,以表现特殊的态度、作风和趣味;三是改造诗篇的程式,使传统场景得以保留而改变其功能。借助这些手段,李白乐府既充分显示了乐府诗的"类型化"体制特征,又是高度体现了作者个性和艺术创造才能的"个别化"作品。
There are three ways for Libai to turn the old yuefu poems into new appearance. The first is to portray charcaters, to convey their emotion and to insert comment in them, as to express the writer's emotion and aspiration without changing the old theme. The second is to transform the emotional appeal without changing the old theme, as to express the special attitude, manner, and taste. The third is to transform the patterns of old yuefu poems, as to preserve the traditional scenes with changing their function. By these means, Libai indicated two features in his yuefu poems as typicalization, which is the normal feature of yuefu poems, and individualization, which shows the writer's individuality and artistry.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2004年第2期57-63,共7页
Journal of Shandong Normal University(Humanities and Social Sciences)
基金
国家民委十五科研规划项目 :"李杜与文学传统"系列成果之一
