摘要
丁玲的《在医院中》和茹志鹃的《静静的产院》有着相同的情节架构,二者都可被解读为一个关于现代性的传播和接收的故事,但二者在大跃进时期不同的命运却透露出后革命阶段现代性与革命性的复杂纠葛。《静静的产院》里的荷妹形象说明过硬的阶级身份、无可辩驳的革命名义和对未来的美好期许是后革命语境中现代性话语得以传播的合法性前提。
Ding ling's In Hospital and Ru Zhijuan's Quiet Hospital for Obstetrics have the same scenario construction and both of them can be read as a story of transmitting and accepting of modernity, but the differences of their political destinies in the 17-year Period literal history express complicated imbroglios between modernity and revolutionary character in post-revolutionary period. The paper thinks perfect mastery of class identity, unsuspicious name of revolution and nice expectation of future are the legal premises for modernity transmitting in post-revolutionary period through careful reading and analyzing these two novels.
出处
《山东师范大学学报（人文社会科学版）》
北大核心
2004年第2期49-51,共3页
Journal of Shandong Normal University(Humanities and Social Sciences)
