摘要
半坡文化彩陶鱼纹,准确地说,应当作鱼形纹样,它是构成鱼形二方连续图案的基本单元。无论在哪儿发现的半坡文化彩陶,鱼纹都会保持惊人的一致性,从而作为区别于同时期其它考古学文化的重要标志。如果说,原始社会的社会组织形式规定了该社会诸方面事物的分类形式,那么,半坡文化社会赋与了彩陶鱼纹一种什么样的分类形式?这样的分类形式是否有着一定的意蕴?
This essay made an overall survey on the fish-like decoration of the painted pottery of the Banpo Culture. The author found that the fish designs were always consist of binary structures: rational or abstract, white head or black head, oral eye or round eye etc.. It was argued that such a banicy structure had it's social and cultural foundations. The different designs might reflect the binary groups of the site and the around areas.
出处
《华夏考古》
1993年第3期55-65,共11页
Huaxia Archaeology
