摘要
《出塞》与《入塞》是围绕长城之“塞”乐府系列中两个重要诗题,《出塞》诗重在表现塞外征戍的艰辛苦寒之感,其写作经历了三大阶段,形成了“出征——征战——凯旋”的基本模式。艺术上,《出塞》由多个场景情境的切面组合到特定情境的全方位展现,丰富了《出塞》诗的艺术表现技巧;《入塞》侧重表现征战胜利与凯旋归乡的喜悦感怀。二者有着明确的主题分工和重心所在,共同构成唐诗创作进行经典训练与展示训练成果的理想方式。
Chusai and Rusai are two important themes in poetry that are centered round Yuefu series about “the forts” of the Great Wall. Chusai puts focus on the hardships and bitter cold suffered in battles and garrisoning beyond the Great Wall. The writing of Chusai undergoes three phases forming the basic style of “going out to battle-fighting in battles-returning in triumph”. Artistically, Chusai, from many individual sections of scenes being put together to the particular situations being panoramically presented, enriches the artistic skills of presentation in Chusai poetry. Rusai, however, puts focus on the joyous reflections on the victories in battles and return to home in triumph. Chusai and Rusai, having their own definite theme and focus respectively, jointly make up the ideal ways for conducting classic drills and displaying the achievements gained from the drills in creation of Tang Dynasty poetry.
出处
《河北学刊》
CSSCI
北大核心
2007年第2期147-151,共5页
Hebei Academic Journal
