摘要
本文从加缪的《局外人》和塞林格的《麦田里的守望者》的特殊话语标记入手 ,研讨作品的叙事特征和意义 ,指出它们作为小说叙事文本的最大特点就是揭示了以互不相容的语义价值和文化价值拼接起来的双重性 ,导致了价值的无差异性。作品中大量表示折衷立场的词语和语义对应了特定社会的深层结构组织状况和战后社会语言环境因意识形态冲突而导致的堕落。
Based on an exploration of the narrative features and meanings of L′ Etranger and The Catcher in the Rye from the perspective of the marks of special discourses, the present thesis points out that the most prominent feature of the two texts lies in their indifference in value which is brought about by their incompatible semantic meaning and cultural significance. The author contends that the eclectic wording of the novels not only mirrors the novelists′ perception of the deep structure of the society, but also acts as a personal response to the depravity of the social language environment caused by ideological conflicts. In the author′s point of view, each of the two novels, with an anti hero as the central character, with indifferent descriptions and carnivalization as the major narrative tools, is a critique of the depreciation of central ideological discourses as well as a revelation of the deceitfulness of the pre eminent social discourses.
出处
《外国文学研究》
北大核心
2003年第3期120-126,共7页
Foreign Literature Studies
