摘要
本文回顾了“复调”一词从音乐术语向小说观念的借用及流变过程 ,分析并比较了巴赫金、热奈特及昆德拉在“复调小说”理论与创作上的承继轨迹及主要分歧。作者指出 ,“复调小说”在概念内涵上由内容到形式再到文体的延扩史 ,象征了现代小说结构模式的演变过程 ;“复调性艺术思维”的运用与发展 ,将为当代小说文体提供更大的创造空间。
This paper traces back the development of the meaning of the word 'polyphony' from a music term to a fiction concept. It analyses and compares the main influences and differences on the polyphonic fiction theories and writings of Bakhtin, Genette, and Kundera. The author points out that the developing history of the concepts on the polyphonic fiction is a symbol of the forming process of modern fiction in its structure patterns. The author also foresees that, with the application of the polyphonic thinking method, there will be more diversifications in the field of contemporary fiction styles.
出处
《外国文学研究》
北大核心
2003年第1期92-97,共6页
Foreign Literature Studies
基金
国家社科基金项目"米兰.昆德拉小说诗学研究"系列成果之一
关键词
复调小说
小说文体学
巴赫金
热奈特
昆德拉
polyphonic fiction stylistics of fiction Bakhtin Genette Kundera
