摘要
本文认为 ,二十世纪六十年代以后的理论的特征之一就是文学批评与文化批判之间的越界 ,这种越界既激活了思想 ,也激活了文学 ,而且正是通过激活思想而重新激活了现代人的文学感悟能力。克里斯蒂娃可谓这种理论的一个典型代表 ,她从对社会和文化的人文关注入手 ,看到了蕴涵在诗性语言中的革命 ,从而将文学阐释与文化以及意识形态批判相贯通 ,以批判为手段 ,催生人与世界、与一切他者的审美、同情、平等的关系模式。这种意义上的理论不仅为文学也为文化的多元化存在开辟了更大的空间 ,是值得发扬光大的理论精神。
One of the remarkable features of critical theory since the late 1960s is that it tries to establish a community between literary studies and cultural critiques. This effort invigorates both thought and literature. Actually, it is just through stimulating our critical thinking that it renewed our capacity for poetic experience. Kristeva's writings best illustrate this theoretical pursuit In her study of poetic language, she explores its revolutionary potential, thus making her crossing from literary studies to cultural critiques. Through such a crossing, she tries to reestablish an aesthetic and intersubjective relationship between man and the world.
出处
《外国文学研究》
北大核心
2003年第1期51-56,共6页
Foreign Literature Studies
关键词
克里斯蒂娃
诗歌语言
革命
文化批判
Kristeva poetic language revolution cultural critique
