摘要
20世纪以来,西方音乐领域一如其他艺术领域那样,"从人类愈加分裂、破碎的意识流派生出一种左右为难不知所措的困惑,像是失去了通向未来的可靠路标"。①"难听"是大多数现代音乐作品给人的最突出的听觉感受。许多音乐和声之复杂,旋律之支离破碎,音响之刺耳,组织结构之另类,创作意图之匪夷所思,着实让人"听"而却步。从现象背后的哲学基础、美学观念入手,试图挖掘现象产生的深层原因,以使得我们能够更加冷静、全面客观地认识和对待西方现代音乐。
Since the 20th Century,the Western music field,as other arts,has derived a bewilderment which is in a quandary and at a loss from the cloven and broken stream of consciousness.As if the reliable signpost to the future has lost."Unpleasant to listen to" is a most noticeable acoustical feeling that lots of contemporary music works give to people.People finch from listening to much contemporary music because of the complicated harmonies,bitty melodies,harsh sounds,unearthly structures and the incomprehensible ...
出处
《贵州大学学报(艺术版)》
2007年第3期41-45,共5页
Journal of Guizhou University Art Edition
关键词
西方
现代音乐
美学
思考
the West
contemporary music
aesthetics
consideration