摘要
文章以"百戏之祖"昆剧中的青年女性行当闺门旦为研究对象,选用更贴近自然语言的念白为研究素材,在前人提出的30个语音听感特征的基础上,以听辨实验和声学分析为研究手段,从语音听感特征的主次分布、特征的共变规律和特征的声学表现等方面对闺门旦语音听感特征进行了量化研究.研究结果显示,无明显情感特征的中性念白的主要突显特征为婉转、柔、娇、秀气、清丽和媚,这些特征与前人对昆剧闺门旦语音听感特征的认知是一致的;情感类型、强度对语音听感特征突显度、主次分布和共变程度存在影响;闺门旦主要语音听感特征声学表现为音高中等、音强中等偏弱、音长中等偏长以及高频能量中等偏强,语音听感特征主观感知上的表现与声学参数等级具有较系统的对应关系.
The stage speech of young female roles in Kun Opera was selected as the typical phonetic material since stage speech is closer to conversational speech than singing and Kun Opera has been honored as the ancestor of Chinese opera.A perception experiment based on 30 auditory features summarized from previous research was carried out to quantify the primary and secondary distribution and the co-variation of these auditory features.Acoustic analysis of the auditory features was also performed.The results shows that 1)the main auditory features of neutral stage speech are tactful,delicate,soft,dignified,delicate,clear and bright,which are consistent with the results of the previous research;2)the type and intensity of emotion have influence on the prominence,primary and secondary distribution and covariation degree of auditory features;3)the acoustic characteristics of the main auditory features are middle pitch,middle-lower intensity,middle-longer length and middleweaker high frequency energy,which shows systematic correspondence with the perception results.
作者
董理
王洁
Dong Li;Wang Jie
出处
《语言研究集刊》
2022年第2期108-135,共28页
Bulletin of Linguistic Studies
关键词
闺门旦
语音听感特征
昆剧
量化分析
young female role
auditory features
Kun Opera
quantitative analysis
