摘要
全媒体传播重塑了受众与媒介之间的互动关系,使其变得可见且丰富。在全媒体环境中,纪录片与受众之间不仅延续着隐形的经验互动,同时还出现了其他可见的互动样态:以评论弹幕为代表的交流共建,以开放式纪录片为典型的开放共生和以VR纪录片为开端的具身同构。它们的出现提供了一个我们再次认识纪录片的契机。本文认为,与受众互动,纪录片的真实才能得以保证,因为后者实质上追求的是所呈现经验的跨时空可重复性。在传统媒体中,经验的可重复性主要体现为纪录片对生活经验的跨时空再现,而全媒体传播在受众互动方式和维度上的增加,使得这种经验的可重复性得到了更多验证的机会,纪录片的真实因此得以发展。
The advent of convergence media has reshaped the interactive relationship between audiences and media,rendering it visible and enriched.In this environment,documentaries and audiences not only continue the subtle experiential interactions in viewers'minds but also manifest in visible forms of interaction:such as collaborative exchanges through comment,the open coexistence exemplified by open documentaries,and the embodied interaction attempted in VR documentaries.Their emergence provides a renewed opportunity to understand the reality of documentary.This paper contends that in interactions with audiences,the reality can be upheld,as the latter essentially pursues a reproducibility of experiences across time and space.In traditional media,the reproducibility of experiences mainly manifests as the documentary's representation of life experiences across time and space.However,the expansion in audience interaction methods and dimensions brought about by digital media provides more opportunities for validating this reproducibility of experiences in varied forms,thus fostering the development of documentary film authenticity.
作者
秦瑜明
宋君仪
Qin Yuming;Song Junyi
出处
《中国新闻传播研究》
2023年第4期135-144,共10页
China Journalism and Communication Journal
基金
中国传媒大学中央高校基本科研业务费专项资金资助项目“传播媒介技术形态演进下的纪实影像价值转向研究”(项目编号:CUC200D018)的研究成果
关键词
纪录片
互动
全媒体
真实
documentary
interaction
covergence media
the reality of documentary
