This paper analyzes the poetry of Delmira Agustini, Alfonsina Storni, and Giovanna Pollarolo, three Latin American poets who collectively spanned the arc of the 20th century, in order to demonstrate that they were all...This paper analyzes the poetry of Delmira Agustini, Alfonsina Storni, and Giovanna Pollarolo, three Latin American poets who collectively spanned the arc of the 20th century, in order to demonstrate that they were all acting to subvert certain stereotypical notions propagated by society and by canonical literature. While Agustini used a parodic discourse to deconstruct the sacrality of masculinity, Storni employed parody and excessive calculated use of quotes from canonical male authors to subvert the traditional images and roles assigned to women. Parody, hyperbolic images, and ambiguity will be analyzed here as the major literary means used by these two poets to criticize the deep-rooted, gendered discourse of their times. Pollarolo＇s poetry, as well as that of Stomi, will be analyzed as ＂minor＂ literature, as described in the theories of Deleuze and Guattari展开更多
This paper explores the notion of the Beatles as a text through which to explore representations of hegemonic masculinity in ＂the sixties＂. It will argue that the Beatles produced an anti-hegemonic masculine discour...This paper explores the notion of the Beatles as a text through which to explore representations of hegemonic masculinity in ＂the sixties＂. It will argue that the Beatles produced an anti-hegemonic masculine discourse through a number of aspects of their work, challenging ideas about men and masculinities prevalent at the time of their existence as a working group and beyond. Rooted in the literature on men and masculinities the paper draws together a number of authors＇ work and presents ideas from the author＇s own work, using discourse analysis of the Beatles＇ live action films, based on a framework suggested by Foucault, Van Dijk, Hall, and McKee. An exploration of the ways in which the Beatles challenged and subverted traditional ideas about masculinity and the way in which their global fame provided a vehicle for representations of alternative versions of masculinity is the basis of the resultant discussion.展开更多
Mimesis and subversion of fairy tale model are the often used narrative models in literature.In Twilight,Meyer successfully employs the two models and creates a everlasting fairy tale.In this article,the author analyz...Mimesis and subversion of fairy tale model are the often used narrative models in literature.In Twilight,Meyer successfully employs the two models and creates a everlasting fairy tale.In this article,the author analyzes the mimesis and subversion in Twilight from how it employs and subvert the traditional fairy model.展开更多
Through analyzing Carter' s The Bloody Chamber and Other Stories,it is meant to expose the fact that the traditional function of fairy tales,namely the vehicle to enslave and indoctrinate children,has been subvert...Through analyzing Carter' s The Bloody Chamber and Other Stories,it is meant to expose the fact that the traditional function of fairy tales,namely the vehicle to enslave and indoctrinate children,has been subverted as a " loudspeaker" for long restrained,voiceless fe males to speak out their rights and identities,so as to dismantle the deeply-rooted patriarchy.展开更多
In The Importance of Being Earnest,Oscar Wilde constructs a dandies’world,in which the persons mock at everything and subvert everything.This research analyzes the dandyish features of the character with the aid of C...In The Importance of Being Earnest,Oscar Wilde constructs a dandies’world,in which the persons mock at everything and subvert everything.This research analyzes the dandyish features of the character with the aid of Charles Baudelaire’s definition of dandy and dandyism,and studies Wilde’s subversion of the preexistent binary oppositions by referring to Jonathan Culler’s interpretation of Jacque Derrida’s deconstruction,and points out that Wilde’s writing in Earnest is a deconstructionist writing.He abandons all the so-called essential matters and only focuses on linguistic surface and comic effect.His stance of dandyism challenges the main-stream social norms at his time and foresees the coming artistic trend.展开更多
The WorM＇s Wife （1999）, written by Carol Ann Duffy, who is the first woman and first openly LGBT person appointed Britain＇s poet Laureate, is a collection of poems which makes full use of intertextuality to show D...The WorM＇s Wife （1999）, written by Carol Ann Duffy, who is the first woman and first openly LGBT person appointed Britain＇s poet Laureate, is a collection of poems which makes full use of intertextuality to show Duffy＇s subversion to patriarchy. In this collection, histories and myths are parodied, quoted, alluded and even rewritten. Women in her poems are given chances to speak out for themselves, which can be seen as a form of resistance against patriarchy. In this article, constitutive intertextuality as well as manifest intertextuality like parody, quotation and allusion in The WorM＇s Wife will be discussed specifically. By analyzing how those intertextual features are adopted as a form of resistance against patriarchy, this article aims to help readers form a better perception of the feminism Duffy raises, and tries to help more women who are being suppressed by men, to find and reconstruct their identities.展开更多
文摘This paper analyzes the poetry of Delmira Agustini, Alfonsina Storni, and Giovanna Pollarolo, three Latin American poets who collectively spanned the arc of the 20th century, in order to demonstrate that they were all acting to subvert certain stereotypical notions propagated by society and by canonical literature. While Agustini used a parodic discourse to deconstruct the sacrality of masculinity, Storni employed parody and excessive calculated use of quotes from canonical male authors to subvert the traditional images and roles assigned to women. Parody, hyperbolic images, and ambiguity will be analyzed here as the major literary means used by these two poets to criticize the deep-rooted, gendered discourse of their times. Pollarolo＇s poetry, as well as that of Stomi, will be analyzed as ＂minor＂ literature, as described in the theories of Deleuze and Guattari
文摘This paper explores the notion of the Beatles as a text through which to explore representations of hegemonic masculinity in ＂the sixties＂. It will argue that the Beatles produced an anti-hegemonic masculine discourse through a number of aspects of their work, challenging ideas about men and masculinities prevalent at the time of their existence as a working group and beyond. Rooted in the literature on men and masculinities the paper draws together a number of authors＇ work and presents ideas from the author＇s own work, using discourse analysis of the Beatles＇ live action films, based on a framework suggested by Foucault, Van Dijk, Hall, and McKee. An exploration of the ways in which the Beatles challenged and subverted traditional ideas about masculinity and the way in which their global fame provided a vehicle for representations of alternative versions of masculinity is the basis of the resultant discussion.
文摘Mimesis and subversion of fairy tale model are the often used narrative models in literature.In Twilight,Meyer successfully employs the two models and creates a everlasting fairy tale.In this article,the author analyzes the mimesis and subversion in Twilight from how it employs and subvert the traditional fairy model.
文摘Through analyzing Carter' s The Bloody Chamber and Other Stories,it is meant to expose the fact that the traditional function of fairy tales,namely the vehicle to enslave and indoctrinate children,has been subverted as a " loudspeaker" for long restrained,voiceless fe males to speak out their rights and identities,so as to dismantle the deeply-rooted patriarchy.
文摘In The Importance of Being Earnest,Oscar Wilde constructs a dandies’world,in which the persons mock at everything and subvert everything.This research analyzes the dandyish features of the character with the aid of Charles Baudelaire’s definition of dandy and dandyism,and studies Wilde’s subversion of the preexistent binary oppositions by referring to Jonathan Culler’s interpretation of Jacque Derrida’s deconstruction,and points out that Wilde’s writing in Earnest is a deconstructionist writing.He abandons all the so-called essential matters and only focuses on linguistic surface and comic effect.His stance of dandyism challenges the main-stream social norms at his time and foresees the coming artistic trend.
文摘The WorM＇s Wife （1999）, written by Carol Ann Duffy, who is the first woman and first openly LGBT person appointed Britain＇s poet Laureate, is a collection of poems which makes full use of intertextuality to show Duffy＇s subversion to patriarchy. In this collection, histories and myths are parodied, quoted, alluded and even rewritten. Women in her poems are given chances to speak out for themselves, which can be seen as a form of resistance against patriarchy. In this article, constitutive intertextuality as well as manifest intertextuality like parody, quotation and allusion in The WorM＇s Wife will be discussed specifically. By analyzing how those intertextual features are adopted as a form of resistance against patriarchy, this article aims to help readers form a better perception of the feminism Duffy raises, and tries to help more women who are being suppressed by men, to find and reconstruct their identities.
