In the context of globalization and the resurgence of local cultural consciousness,traditional design artifacts face the dual challenge of preservation and contemporary relevance.Taking the Ming-style round-backed arm...In the context of globalization and the resurgence of local cultural consciousness,traditional design artifacts face the dual challenge of preservation and contemporary relevance.Taking the Ming-style round-backed armchair as a paradigmatic case,this study investigates how classical Chinese furniture is transformed from a historical artifact into a modern lifestyle symbol.Moving beyond formal description,the paper conceptualizes contemporary redesign as a process of cultural re-encoding,grounded in design semiotics.Through a comparative analysis of three representative cases—Hans Wegner’s The Chair,Shang Xia’s carbon-fiber reinterpretation,and Neri&Hu’s Ming Series—this study proposes a Triadic Model of Cultural Re-encoding,consisting of syntactic purification,material contextualization,and conceptual deconstruction.The findings reveal that successful redesign depends on translating deep cultural structures,rather than replicating surface symbols,thereby re-signifying ritual,materiality,and meaning for contemporary life.This model offers a transferable analytical framework for integrating indigenous cultural heritage into global design discourse.展开更多
This study proposes the Text–Visual Deconstruction–Reconstruction(TVDR)model to translate living intangible cultural heritage narratives into coherent visual systems.Using the Longnülegend as a case,the framewo...This study proposes the Text–Visual Deconstruction–Reconstruction(TVDR)model to translate living intangible cultural heritage narratives into coherent visual systems.Using the Longnülegend as a case,the framework decomposes narrative text into four coded dimensions—Imagery,Plot,Theme,and Emotion—via word-frequency extraction,decision-tree topology modelling,and computational sentiment analysis.These encoded outputs are then mapped onto visual parameters including element design,spatial structure,compositional hierarchy,and color atmosphere through narratively guided generative design logic.Results show that culturally faithful visual translation depends on re-encoding deep narrative structures rather than reproducing surface motifs.TVDR offers a transferable workflow for narrative visualization,co-creation,and AI-compatible heritage communication in digital media environments.展开更多
文摘In the context of globalization and the resurgence of local cultural consciousness,traditional design artifacts face the dual challenge of preservation and contemporary relevance.Taking the Ming-style round-backed armchair as a paradigmatic case,this study investigates how classical Chinese furniture is transformed from a historical artifact into a modern lifestyle symbol.Moving beyond formal description,the paper conceptualizes contemporary redesign as a process of cultural re-encoding,grounded in design semiotics.Through a comparative analysis of three representative cases—Hans Wegner’s The Chair,Shang Xia’s carbon-fiber reinterpretation,and Neri&Hu’s Ming Series—this study proposes a Triadic Model of Cultural Re-encoding,consisting of syntactic purification,material contextualization,and conceptual deconstruction.The findings reveal that successful redesign depends on translating deep cultural structures,rather than replicating surface symbols,thereby re-signifying ritual,materiality,and meaning for contemporary life.This model offers a transferable analytical framework for integrating indigenous cultural heritage into global design discourse.
文摘This study proposes the Text–Visual Deconstruction–Reconstruction(TVDR)model to translate living intangible cultural heritage narratives into coherent visual systems.Using the Longnülegend as a case,the framework decomposes narrative text into four coded dimensions—Imagery,Plot,Theme,and Emotion—via word-frequency extraction,decision-tree topology modelling,and computational sentiment analysis.These encoded outputs are then mapped onto visual parameters including element design,spatial structure,compositional hierarchy,and color atmosphere through narratively guided generative design logic.Results show that culturally faithful visual translation depends on re-encoding deep narrative structures rather than reproducing surface motifs.TVDR offers a transferable workflow for narrative visualization,co-creation,and AI-compatible heritage communication in digital media environments.
