Moscow-based Feminist Punk performers Pussy Riot challenged the millennial patriarchal Russian State-Church Religio-Political control on freedom in arts and suppression of women. Woman is still the other of this Churc...Moscow-based Feminist Punk performers Pussy Riot challenged the millennial patriarchal Russian State-Church Religio-Political control on freedom in arts and suppression of women. Woman is still the other of this Church-State totalism, outside. The event is extremely small but the symbolism enormous of an intrinsic lack and its insane compensations. Philosopher Zi^ek sees the significance of what Pussy Riot represent for contemporary global capitalism, represented by the American dollar and Wall Street. Performer Madonna sees the difference between America, where she has been able to express herself and says that anyone can, and other parts of the world, namely Russia, where this is not possible. Although Edward Snowdon found sanctuary in Russia from America, so perhaps Zizek is right.展开更多
The Urumqi riot has damaged the local economy and social development more than the global financial crisis has, said Abudu Rezhake Tomur, Secretary of the Communist Party of China in the Xinjiang Social Science Academy.
The separatist World Uyghur Congress led by Rebiya Kadeer was behind the deadly July 5 Urumqi riot, in which more than 190 people died and more than 1,000 were injured, sources with the government said.
Nearly two weeks after the July 5 riot in Urumqi of northwest China＇s Xinjiang Uygur Autonomous Region, social order and people＇s lives are returning to normal. Yet in retrospect, a mass of evidences show that the u...Nearly two weeks after the July 5 riot in Urumqi of northwest China＇s Xinjiang Uygur Autonomous Region, social order and people＇s lives are returning to normal. Yet in retrospect, a mass of evidences show that the unrest was a wellplanned violent criminal incident of terrorist nature.展开更多
The Critical Discourse Analysis(CDA)is an interdisciplinary tool in various conditions,which aims to provide a better understanding of sociocultural aspects of texts and accounts of the production of internal structur...The Critical Discourse Analysis(CDA)is an interdisciplinary tool in various conditions,which aims to provide a better understanding of sociocultural aspects of texts and accounts of the production of internal structure,and overall organization of texts as well as to provide a critical dimension in its theoretical and descriptive accounts of texts.Since June last year,HK protests or HK violence have been frequently reported by worldwide media.In this paper,the author aims to find out how the HK protesters and the Mainland media describe the same event based on the three-dimensional framework of CDA.At last,the author concludes that the mainland media generally describe the event as violence and riot while the HK protesters define themselves as warriors striving for more freedom,justice and democracy.Besides,on this event,the Mainland media mainly accuses some western countries of interference into HK affairs,which is undoubtedly of China’s internal affairs,and the media give full support to the HK police in safeguarding the peace and stability of Hong Kong.But from the perspective of HK protesters,they firmly believe that they are using their actions to protect all the people of HK,and they are defending their values such as freedom,democracy and justice.These are two totally different systems of language,and the author also gives its potential reasons in the paper so as to offer some viewpoints in this aspect in combination with the CDA theory.展开更多
It was about 11a.m.,March 14th,2008.Lhasa,a Tibetan city used to peace and tranquility,was suddenly subjected to relentless rioting by mobs in the name of"non-violence resistance".They smashed,looted, vandal...It was about 11a.m.,March 14th,2008.Lhasa,a Tibetan city used to peace and tranquility,was suddenly subjected to relentless rioting by mobs in the name of"non-violence resistance".They smashed,looted, vandalized,set property alight,beat and even killed people they encountered.展开更多
Many countries around the world said the July 5 riot in northwest China is an internal affair of the country, and the Chinese government is handling the incident properly.
The real purpose of the July 5 rioters in Urumqi, capital of northwest China＇s Xinjiang Uygur Autonomous Region, was seeking ＂Xin-jiang＇s independence,＂ an official said in Beijing on July 21.
More than 60 overseas media have sent journalists to Urumqi,capital of northwest China＇s Xinjiang region, after a riot broke out in the city Sunday, leaving 156 people dead and 1,080 others injured.
The test scheme of static postponing time given in our actual national military test standard on shrapnels used to control riot is a nine-point test scheme on the combined action of three kinds of temperatures and thr...The test scheme of static postponing time given in our actual national military test standard on shrapnels used to control riot is a nine-point test scheme on the combined action of three kinds of temperatures and three kinds of pressures, the consumed ammunitions are more excessive. Statistic analysis and tentative checkout about a lot of test data are done, feasibility gists are put forward for optimizing of the test design scheme. The optimizing design and data analysis of test scheme of the item are done by managing uniformity design theory, two scientific and reasonable six-point test schemes are confirmed. The feasibility and reliability of the optimizing design schemes put forward above are proved ulteriorly by test validating. The gained schemes not only have good design uniformity and little ammunition wastage and meet the test demand, but also have better forecast ability for the result data of other points using the mathematic models from the actual test points.展开更多
This essay has two strands.It examines Simone White’s writing on U.S.Trap in Dear Angel of Death(2017),bringing in questions of gender and of the history of writings of“The Music,”in dialogue with thinkers such as ...This essay has two strands.It examines Simone White’s writing on U.S.Trap in Dear Angel of Death(2017),bringing in questions of gender and of the history of writings of“The Music,”in dialogue with thinkers such as Amiri Baraka and Nathaniel Mackey.Historicizing writings on Black music,and their intersections with questions of gender and class,the essay also reflects on the relations between U.S.and U.K.thinking on anti-blackness and music,and sketches some speculative lineages for the different poetic traditions from which such work emerges.Exploring Trap’s address to male desire and vulnerability within the context of anti-black violence and the American carceral State,White hears in Trap something beyond nihilism,even if only as proxy or metaphor—an expression of desire and horror which is the threat of aliveness in the face of social death.The essay also explores U.K.-born,U.S.-based D.S.Marriott’s engagement with grime in his most recent book of poetry,Duppies(2017,U.S.edition 2019).“Post-work”and“post-brexit,”Marriott’s grime poetics registers the racial antagonisms unleashed by the Brexit vote,and harks back to the 2011 U.K.riots triggered by Mark Duggan’s murder at the hands of the police.Marriott understands grime as representing performances of labor,and racialized identity performance itself as a kind of un-remunerated labor,related to Black social death.Both internalizing and refusing the interpellation of the police and state apparatus,and often literally unintelligible to white mainstream society,it is a space of performative subversion,powerful even when mocked,derided or ignored.As“the thread which links afro-pessimism to afro-futurism,”grime could be positioned as a theoretical solution to ongoing debates on Afro-pessimism and Afro-optimism;but it“proceeds without ties or duplicity,”refusing identification or pigeonholing.Neither grime nor Trap,Marriott’s nor White’s poetry,ask for or require empathy.Their“fierce rigor and method”are tools of diagnosis and resistance vital for understanding poetry,race and politics today.展开更多
文摘Moscow-based Feminist Punk performers Pussy Riot challenged the millennial patriarchal Russian State-Church Religio-Political control on freedom in arts and suppression of women. Woman is still the other of this Church-State totalism, outside. The event is extremely small but the symbolism enormous of an intrinsic lack and its insane compensations. Philosopher Zi^ek sees the significance of what Pussy Riot represent for contemporary global capitalism, represented by the American dollar and Wall Street. Performer Madonna sees the difference between America, where she has been able to express herself and says that anyone can, and other parts of the world, namely Russia, where this is not possible. Although Edward Snowdon found sanctuary in Russia from America, so perhaps Zizek is right.
文摘The Urumqi riot has damaged the local economy and social development more than the global financial crisis has, said Abudu Rezhake Tomur, Secretary of the Communist Party of China in the Xinjiang Social Science Academy.
文摘The separatist World Uyghur Congress led by Rebiya Kadeer was behind the deadly July 5 Urumqi riot, in which more than 190 people died and more than 1,000 were injured, sources with the government said.
文摘Nearly two weeks after the July 5 riot in Urumqi of northwest China＇s Xinjiang Uygur Autonomous Region, social order and people＇s lives are returning to normal. Yet in retrospect, a mass of evidences show that the unrest was a wellplanned violent criminal incident of terrorist nature.
文摘The Critical Discourse Analysis(CDA)is an interdisciplinary tool in various conditions,which aims to provide a better understanding of sociocultural aspects of texts and accounts of the production of internal structure,and overall organization of texts as well as to provide a critical dimension in its theoretical and descriptive accounts of texts.Since June last year,HK protests or HK violence have been frequently reported by worldwide media.In this paper,the author aims to find out how the HK protesters and the Mainland media describe the same event based on the three-dimensional framework of CDA.At last,the author concludes that the mainland media generally describe the event as violence and riot while the HK protesters define themselves as warriors striving for more freedom,justice and democracy.Besides,on this event,the Mainland media mainly accuses some western countries of interference into HK affairs,which is undoubtedly of China’s internal affairs,and the media give full support to the HK police in safeguarding the peace and stability of Hong Kong.But from the perspective of HK protesters,they firmly believe that they are using their actions to protect all the people of HK,and they are defending their values such as freedom,democracy and justice.These are two totally different systems of language,and the author also gives its potential reasons in the paper so as to offer some viewpoints in this aspect in combination with the CDA theory.
文摘It was about 11a.m.,March 14th,2008.Lhasa,a Tibetan city used to peace and tranquility,was suddenly subjected to relentless rioting by mobs in the name of"non-violence resistance".They smashed,looted, vandalized,set property alight,beat and even killed people they encountered.
文摘Many countries around the world said the July 5 riot in northwest China is an internal affair of the country, and the Chinese government is handling the incident properly.
文摘The real purpose of the July 5 rioters in Urumqi, capital of northwest China＇s Xinjiang Uygur Autonomous Region, was seeking ＂Xin-jiang＇s independence,＂ an official said in Beijing on July 21.
文摘More than 60 overseas media have sent journalists to Urumqi,capital of northwest China＇s Xinjiang region, after a riot broke out in the city Sunday, leaving 156 people dead and 1,080 others injured.
文摘The test scheme of static postponing time given in our actual national military test standard on shrapnels used to control riot is a nine-point test scheme on the combined action of three kinds of temperatures and three kinds of pressures, the consumed ammunitions are more excessive. Statistic analysis and tentative checkout about a lot of test data are done, feasibility gists are put forward for optimizing of the test design scheme. The optimizing design and data analysis of test scheme of the item are done by managing uniformity design theory, two scientific and reasonable six-point test schemes are confirmed. The feasibility and reliability of the optimizing design schemes put forward above are proved ulteriorly by test validating. The gained schemes not only have good design uniformity and little ammunition wastage and meet the test demand, but also have better forecast ability for the result data of other points using the mathematic models from the actual test points.
文摘This essay has two strands.It examines Simone White’s writing on U.S.Trap in Dear Angel of Death(2017),bringing in questions of gender and of the history of writings of“The Music,”in dialogue with thinkers such as Amiri Baraka and Nathaniel Mackey.Historicizing writings on Black music,and their intersections with questions of gender and class,the essay also reflects on the relations between U.S.and U.K.thinking on anti-blackness and music,and sketches some speculative lineages for the different poetic traditions from which such work emerges.Exploring Trap’s address to male desire and vulnerability within the context of anti-black violence and the American carceral State,White hears in Trap something beyond nihilism,even if only as proxy or metaphor—an expression of desire and horror which is the threat of aliveness in the face of social death.The essay also explores U.K.-born,U.S.-based D.S.Marriott’s engagement with grime in his most recent book of poetry,Duppies(2017,U.S.edition 2019).“Post-work”and“post-brexit,”Marriott’s grime poetics registers the racial antagonisms unleashed by the Brexit vote,and harks back to the 2011 U.K.riots triggered by Mark Duggan’s murder at the hands of the police.Marriott understands grime as representing performances of labor,and racialized identity performance itself as a kind of un-remunerated labor,related to Black social death.Both internalizing and refusing the interpellation of the police and state apparatus,and often literally unintelligible to white mainstream society,it is a space of performative subversion,powerful even when mocked,derided or ignored.As“the thread which links afro-pessimism to afro-futurism,”grime could be positioned as a theoretical solution to ongoing debates on Afro-pessimism and Afro-optimism;but it“proceeds without ties or duplicity,”refusing identification or pigeonholing.Neither grime nor Trap,Marriott’s nor White’s poetry,ask for or require empathy.Their“fierce rigor and method”are tools of diagnosis and resistance vital for understanding poetry,race and politics today.
