The contribution moves from highlighting how,in the context of Michel Serres’and posthumanism’s proposal of rethinking the human and the world in a perspective of inter-implication and universal co-belonging,silence...The contribution moves from highlighting how,in the context of Michel Serres’and posthumanism’s proposal of rethinking the human and the world in a perspective of inter-implication and universal co-belonging,silence(of the human word)assumes the function of a catalyst for the recognition/re-aestheticization of the human body in its sensory-aesthetic-cognitive-relational-hybrid dimensionality,and,with and for it,of the world in its agency(including artistic).Within the framework of this perspective,the investigation thus proposes a reading of art as a relation/catalyzer of relations,that is,as a(re)activation of positive relations of the human with and for a world that reveals itself to be increasingly hyper-complex,that is,more-than-human,in the continuity/inseparability of nature and culture.Taking Serresian ideas on artistic practices as non(only)human forms of expression and posthumanist“isomorphic”positions on non-human agency as tools,the research then highlights the“more-than-human”scope of art and the fact that artistic practices are responsive actions.So much so that,the human being emerges as co-agent and,of course,co-owner.展开更多
文摘The contribution moves from highlighting how,in the context of Michel Serres’and posthumanism’s proposal of rethinking the human and the world in a perspective of inter-implication and universal co-belonging,silence(of the human word)assumes the function of a catalyst for the recognition/re-aestheticization of the human body in its sensory-aesthetic-cognitive-relational-hybrid dimensionality,and,with and for it,of the world in its agency(including artistic).Within the framework of this perspective,the investigation thus proposes a reading of art as a relation/catalyzer of relations,that is,as a(re)activation of positive relations of the human with and for a world that reveals itself to be increasingly hyper-complex,that is,more-than-human,in the continuity/inseparability of nature and culture.Taking Serresian ideas on artistic practices as non(only)human forms of expression and posthumanist“isomorphic”positions on non-human agency as tools,the research then highlights the“more-than-human”scope of art and the fact that artistic practices are responsive actions.So much so that,the human being emerges as co-agent and,of course,co-owner.
