As Artificial Intelligence(AI)is moving fast from Large Language Models(LLMs)to AI Agents and Agentic Intelligence,the need to incorporate new AI into Decision Intelligence(DI)is becoming more and more urgent for both...As Artificial Intelligence(AI)is moving fast from Large Language Models(LLMs)to AI Agents and Agentic Intelligence,the need to incorporate new AI into Decision Intelligence(DI)is becoming more and more urgent for both practical and theoretic reasons:both decision and process complexities would be significantly increased due to the use of advanced AI tools and agents,and both traditional and recent thinking must be rethought and reconstructed accordingly.Our perspective would like to address this important issue based on some historical milestone developments in Computer-Aided Software Engineering(CASE)and recent efforts in digital theatrical technology[1].展开更多
Goh Boon Teck is the chief artistic director of Toy Factory,a Singaporean theater company founded in 1990.According to Goh,a group of young people decided to organize their own theater company due to a love for drama....Goh Boon Teck is the chief artistic director of Toy Factory,a Singaporean theater company founded in 1990.According to Goh,a group of young people decided to organize their own theater company due to a love for drama.The“Toy”in the name of the theater company comes from a Thai shadow puppet artist who worked with them,and“Factory”highlights the organization’s devotion to training theater practitioners for the art community.Goh said that in addition to staging productions,Toy Factory has also vigorously worked to discover new drama artists including actors,designers,and playwrights.展开更多
Renowned theater director Tian Qinxin believes it’s time for foreign audiences to experience the beauty of Chinese culture on the world’s stages through Chinese-language theater.
With the emergence of new media,traditional art forms have also undergone further transformations,revealing their inherent vitality in the media age,as exemplified by the embodied perception of theatrical spaces and s...With the emergence of new media,traditional art forms have also undergone further transformations,revealing their inherent vitality in the media age,as exemplified by the embodied perception of theatrical spaces and stages in video games.The game“Layers of Fear”begins with ancient Horror and immersive artistic illusions,constructing a unique atopia space within the game.The game evokes theatrical memories through“haunted”mansions and paintings,highlighting the dramatic nature of the game and thus building a theatrical pathway at the game’s design level.The game also features unique digital avatars that materialize the player’s presence,further exploring this pathway.Using embodiment as a medium,and visual immersion and the perception of Horror as bridges,further experimentation with digital avatars gradually expands the player’s world and brings the player’s character to the audience.In the virtual world,digital avatars retain the immersion of fiction and illusion,and also imply the possibility of immersive theater practice on digital interfaces.The immersive digital theater of illusion will ultimately be staged in video games and completed in virtual reality games.展开更多
“We are together.We are friends forever.Nothing can break the bond between you and me,”On December 30,2025,these heartfelt lyrics,sung in both Chinese and English,filled the historic Erqi Theater in central Beijing....“We are together.We are friends forever.Nothing can break the bond between you and me,”On December 30,2025,these heartfelt lyrics,sung in both Chinese and English,filled the historic Erqi Theater in central Beijing.Theywere performed by 54 young vocalists from the One Voice Children’s Choir of Utah,U.S.,joined on stage by a dozen students from the High School Affiliated to Xi’an Jiaotong University.Ranging in age from five to 18,the choir delivered a spectacular performance that visibly captivated the audience.展开更多
Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduce...Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduces the use of ICT （information and communications technology）, such as Faeebook, Moodle platform, Web sites, E-mail, Word, Publisher, PowerPoint, Videos and Digital music. Results in the conduct of the students that participated： assertiveness, self-esteem, tolerance, cooperation, responsibility and teamwork, all of them significantly contributed a meaningful learning about the polymers.展开更多
The 7th Wuzhen Theater Festival,a 10-day annual cultural feast,concluded on Sunday in Wuzhen,the historic water town of China's Zhejiang Province.This cultural extravaganza featured 28 theater performances from 13...The 7th Wuzhen Theater Festival,a 10-day annual cultural feast,concluded on Sunday in Wuzhen,the historic water town of China's Zhejiang Province.This cultural extravaganza featured 28 theater performances from 13 countrics,laded with traditional and innova-tive form of storytelling.Themed"Emerge",this year's festival run from October 25 to November 3.Dramas,art exhibitions,poems,delicious food,many of the pleasant enjoyments in life,were enjoyed by visitors during the 7th Wuzhen Theater Festival.展开更多
Yukio Ninagawa （1935-2016） was expected to achieve in a few years the great milestone of directing the complete collection of Shakespeare plays in new Japanese translations. This paper reconsiders Ninagawa＇s direct...Yukio Ninagawa （1935-2016） was expected to achieve in a few years the great milestone of directing the complete collection of Shakespeare plays in new Japanese translations. This paper reconsiders Ninagawa＇s direction from a global/local perspective with a special focus on several last works directed by him： Richard II, performed by young players of the Saitama Next Theater in February 2012, which was especially intended for the local Japanese audience; Ninagawa Macbeth, which was performed in September 2015 and was a revival of the director＇s internationally-acclaimed production, first performed in Japan in 1980 and abroad in 1985 onwards; and Two Gentlemen of Verona, the thirty-first in his series of Shakespeare plays and seventh in his series of Shakespeare plays with all-male casts, in October 2015. His last plays were not as perfect as he was still experimenting. This paper concludes, however, that while possessed by the power of theater, his direction emits its magical and subversive power and suggestion to give the audience vital energy to live in this world of tough conflicts. He continued to hope to make global and local spectators wonder at the plays he directed.展开更多
From September 12 to October 8,2022,"Rhythm of Autumn"by National Peking Opera Company greeted the public at Mei Lanfang Theater.The colorful performances covered 7 traditional dramas,3 special shows of exce...From September 12 to October 8,2022,"Rhythm of Autumn"by National Peking Opera Company greeted the public at Mei Lanfang Theater.The colorful performances covered 7 traditional dramas,3 special shows of excerpts,1 martial play show,1 concert of famous dramas and excerpts.Peking Opera artists and young and middle-aged performers gathered together,presenting complete types of roles and diverse schools.展开更多
By enabling audiences to move from merely an observer's state of mind to a state of total involvement,each show is different and unique.THE Hustle Dinner,a play produced by one of China's most popular theater ...By enabling audiences to move from merely an observer's state of mind to a state of total involvement,each show is different and unique.THE Hustle Dinner,a play produced by one of China's most popular theater troupes the Mahua FunAge.展开更多
During the Chinese New Year of 2024,China National Opera&Dance Drama Theater was invited to Hungary,Sweden,Denmark and Norway to carry out the 2024"Happy Chinese NewYear"tour performance.China National O...During the Chinese New Year of 2024,China National Opera&Dance Drama Theater was invited to Hungary,Sweden,Denmark and Norway to carry out the 2024"Happy Chinese NewYear"tour performance.China National Opera&Dance Drama Theater sent a visiting team composed of 29 artists to touch the hearts of overseas audiences with the art of ethnic singing and dancing and the deep charm of the Chinese culture,and to spread the essence of the Chinese culture in the dialogue with the world.展开更多
A few days ago.the 6^th China Children's Drama Week and the 23^rd Berlin International Festival of Puppet Theater ended in Berlin.Chengdu/Xcadcmy of In tangible Cultural Heritage Puppet Troupe sent 6 excellent pup...A few days ago.the 6^th China Children's Drama Week and the 23^rd Berlin International Festival of Puppet Theater ended in Berlin.Chengdu/Xcadcmy of In tangible Cultural Heritage Puppet Troupe sent 6 excellent puppet artists to bring 8 wonderful programs.According to statistics,the troupe's thrce-day performance in Berlin attracted thousands of spectators.Many German parents said it was the first time for their children to watch a children's puppet show from China.展开更多
基金supported by the Science and Technology Development Fund,Macao Special Administrative Region(SAR)(0093/2023/RIA2,0157/2024/RIA2,0145/2023/RIA3)the Distinguished Program of Obuda University and the DeSci Center for Parallel Intelligence at the Obuda University,Hungary.This article is based on the report of“Digital Theaters and Theatrical Intelligence for Decision Science”Project(DeSCII-0017-1023-2023,PI:Qinghua Ni)initiated by DeSci International.
文摘As Artificial Intelligence(AI)is moving fast from Large Language Models(LLMs)to AI Agents and Agentic Intelligence,the need to incorporate new AI into Decision Intelligence(DI)is becoming more and more urgent for both practical and theoretic reasons:both decision and process complexities would be significantly increased due to the use of advanced AI tools and agents,and both traditional and recent thinking must be rethought and reconstructed accordingly.Our perspective would like to address this important issue based on some historical milestone developments in Computer-Aided Software Engineering(CASE)and recent efforts in digital theatrical technology[1].
文摘Goh Boon Teck is the chief artistic director of Toy Factory,a Singaporean theater company founded in 1990.According to Goh,a group of young people decided to organize their own theater company due to a love for drama.The“Toy”in the name of the theater company comes from a Thai shadow puppet artist who worked with them,and“Factory”highlights the organization’s devotion to training theater practitioners for the art community.Goh said that in addition to staging productions,Toy Factory has also vigorously worked to discover new drama artists including actors,designers,and playwrights.
文摘Renowned theater director Tian Qinxin believes it’s time for foreign audiences to experience the beauty of Chinese culture on the world’s stages through Chinese-language theater.
文摘With the emergence of new media,traditional art forms have also undergone further transformations,revealing their inherent vitality in the media age,as exemplified by the embodied perception of theatrical spaces and stages in video games.The game“Layers of Fear”begins with ancient Horror and immersive artistic illusions,constructing a unique atopia space within the game.The game evokes theatrical memories through“haunted”mansions and paintings,highlighting the dramatic nature of the game and thus building a theatrical pathway at the game’s design level.The game also features unique digital avatars that materialize the player’s presence,further exploring this pathway.Using embodiment as a medium,and visual immersion and the perception of Horror as bridges,further experimentation with digital avatars gradually expands the player’s world and brings the player’s character to the audience.In the virtual world,digital avatars retain the immersion of fiction and illusion,and also imply the possibility of immersive theater practice on digital interfaces.The immersive digital theater of illusion will ultimately be staged in video games and completed in virtual reality games.
文摘“We are together.We are friends forever.Nothing can break the bond between you and me,”On December 30,2025,these heartfelt lyrics,sung in both Chinese and English,filled the historic Erqi Theater in central Beijing.Theywere performed by 54 young vocalists from the One Voice Children’s Choir of Utah,U.S.,joined on stage by a dozen students from the High School Affiliated to Xi’an Jiaotong University.Ranging in age from five to 18,the choir delivered a spectacular performance that visibly captivated the audience.
文摘Theater play that shows how textiles, make up, hair dyes and music players has changed along the last six decades, especially due to polymers. It is a play that has a historic, chemical and musical side that introduces the use of ICT （information and communications technology）, such as Faeebook, Moodle platform, Web sites, E-mail, Word, Publisher, PowerPoint, Videos and Digital music. Results in the conduct of the students that participated： assertiveness, self-esteem, tolerance, cooperation, responsibility and teamwork, all of them significantly contributed a meaningful learning about the polymers.
文摘The 7th Wuzhen Theater Festival,a 10-day annual cultural feast,concluded on Sunday in Wuzhen,the historic water town of China's Zhejiang Province.This cultural extravaganza featured 28 theater performances from 13 countrics,laded with traditional and innova-tive form of storytelling.Themed"Emerge",this year's festival run from October 25 to November 3.Dramas,art exhibitions,poems,delicious food,many of the pleasant enjoyments in life,were enjoyed by visitors during the 7th Wuzhen Theater Festival.
文摘Yukio Ninagawa （1935-2016） was expected to achieve in a few years the great milestone of directing the complete collection of Shakespeare plays in new Japanese translations. This paper reconsiders Ninagawa＇s direction from a global/local perspective with a special focus on several last works directed by him： Richard II, performed by young players of the Saitama Next Theater in February 2012, which was especially intended for the local Japanese audience; Ninagawa Macbeth, which was performed in September 2015 and was a revival of the director＇s internationally-acclaimed production, first performed in Japan in 1980 and abroad in 1985 onwards; and Two Gentlemen of Verona, the thirty-first in his series of Shakespeare plays and seventh in his series of Shakespeare plays with all-male casts, in October 2015. His last plays were not as perfect as he was still experimenting. This paper concludes, however, that while possessed by the power of theater, his direction emits its magical and subversive power and suggestion to give the audience vital energy to live in this world of tough conflicts. He continued to hope to make global and local spectators wonder at the plays he directed.
文摘From September 12 to October 8,2022,"Rhythm of Autumn"by National Peking Opera Company greeted the public at Mei Lanfang Theater.The colorful performances covered 7 traditional dramas,3 special shows of excerpts,1 martial play show,1 concert of famous dramas and excerpts.Peking Opera artists and young and middle-aged performers gathered together,presenting complete types of roles and diverse schools.
文摘By enabling audiences to move from merely an observer's state of mind to a state of total involvement,each show is different and unique.THE Hustle Dinner,a play produced by one of China's most popular theater troupes the Mahua FunAge.
文摘During the Chinese New Year of 2024,China National Opera&Dance Drama Theater was invited to Hungary,Sweden,Denmark and Norway to carry out the 2024"Happy Chinese NewYear"tour performance.China National Opera&Dance Drama Theater sent a visiting team composed of 29 artists to touch the hearts of overseas audiences with the art of ethnic singing and dancing and the deep charm of the Chinese culture,and to spread the essence of the Chinese culture in the dialogue with the world.
文摘A few days ago.the 6^th China Children's Drama Week and the 23^rd Berlin International Festival of Puppet Theater ended in Berlin.Chengdu/Xcadcmy of In tangible Cultural Heritage Puppet Troupe sent 6 excellent puppet artists to bring 8 wonderful programs.According to statistics,the troupe's thrce-day performance in Berlin attracted thousands of spectators.Many German parents said it was the first time for their children to watch a children's puppet show from China.
