By analyzing the information of Pingxiang Nuo masks＇ decorative patterns,this paper first briefly teases out a clue of the birth and development of historical decorative pattern and the decorative pattern category fe...By analyzing the information of Pingxiang Nuo masks＇ decorative patterns,this paper first briefly teases out a clue of the birth and development of historical decorative pattern and the decorative pattern category features of Pingxiang Nuo masks.Then, combining with the development of tourist commodities, Looking for live condition non-material cultural life rich and colorful information and spiritual practice, traditional patterns with modem visual design fusion design characteristic tourist commodities.It explores the way of how to converse the value of Pingxiang Nuo masks＇ decorative patterns into the modem design.展开更多
There is a great necessity to inherit and preserve the cultural heritage of Nuo in Jiangxi Province for its artistic value,economic value and social value.In reality,however,the disappearance of culture-inheriting car...There is a great necessity to inherit and preserve the cultural heritage of Nuo in Jiangxi Province for its artistic value,economic value and social value.In reality,however,the disappearance of culture-inheriting carriers and the failure to protect relevant resources all conspire against the task of inheriting and preserving this unique inheritance.Government needs to put its weight behind this work by establishing institutions and providing funds to restore the culture of Nuo in Jiangxi.展开更多
As a region with a significant agricultural industry,the ritual theatre of East Asia played an important role in the early drama of its origins.In addition,the trajectory of the early agricultural and religious cultur...As a region with a significant agricultural industry,the ritual theatre of East Asia played an important role in the early drama of its origins.In addition,the trajectory of the early agricultural and religious cultural interactions in East Asian countries was decisive in shaping their national cultural roots,so exploring the different developments of ritual theatre among different countries on the basis of the history of early cultural interactions can help to provide a more explicit understanding of the cultural development of ritual theatre in East Asia.This research explores the trajectories of Nuo theatre in China and Noh theatre in Japan,broadly in terms of both agriculture and religion,summarises the similarities and differences between the developmental routes of Nuo and Noh theatre,and analyses the causes of the contemporary phenomenon of Nuo and Noh theatre moving along different developmental routes.展开更多
Chinese New Year,the grandest and most ceremonial traditional festival of the Chinese nation,has always served as a stage for folk art to make a huge impact.On that day,from Shehuo magnificently illuminated with brill...Chinese New Year,the grandest and most ceremonial traditional festival of the Chinese nation,has always served as a stage for folk art to make a huge impact.On that day,from Shehuo magnificently illuminated with brilliant lights or fireworks in the Central Plains to the Celebration in Farmland-in-spring in Fujian and Taiwan,from the Yangko fizzing with enthusiasm at the snow village in Northeast China to the mysterious and ancient Nuo Opera in Southwest China,from the passionate and vigorous dragon boat tune in the water town in Hubei to the Firecracker Dragon Festival buzzing with excitement in Bagui,Guangxi,the vast land of 9.6 million square kilometers of China is suddenly aroused by the New Year bell,with the playing of a glorious chapter in harmony,achieving in jointly drawing a traditional Chinese New Year in a nonheritage picture scroll.展开更多
文摘By analyzing the information of Pingxiang Nuo masks＇ decorative patterns,this paper first briefly teases out a clue of the birth and development of historical decorative pattern and the decorative pattern category features of Pingxiang Nuo masks.Then, combining with the development of tourist commodities, Looking for live condition non-material cultural life rich and colorful information and spiritual practice, traditional patterns with modem visual design fusion design characteristic tourist commodities.It explores the way of how to converse the value of Pingxiang Nuo masks＇ decorative patterns into the modem design.
文摘There is a great necessity to inherit and preserve the cultural heritage of Nuo in Jiangxi Province for its artistic value,economic value and social value.In reality,however,the disappearance of culture-inheriting carriers and the failure to protect relevant resources all conspire against the task of inheriting and preserving this unique inheritance.Government needs to put its weight behind this work by establishing institutions and providing funds to restore the culture of Nuo in Jiangxi.
文摘As a region with a significant agricultural industry,the ritual theatre of East Asia played an important role in the early drama of its origins.In addition,the trajectory of the early agricultural and religious cultural interactions in East Asian countries was decisive in shaping their national cultural roots,so exploring the different developments of ritual theatre among different countries on the basis of the history of early cultural interactions can help to provide a more explicit understanding of the cultural development of ritual theatre in East Asia.This research explores the trajectories of Nuo theatre in China and Noh theatre in Japan,broadly in terms of both agriculture and religion,summarises the similarities and differences between the developmental routes of Nuo and Noh theatre,and analyses the causes of the contemporary phenomenon of Nuo and Noh theatre moving along different developmental routes.
文摘Chinese New Year,the grandest and most ceremonial traditional festival of the Chinese nation,has always served as a stage for folk art to make a huge impact.On that day,from Shehuo magnificently illuminated with brilliant lights or fireworks in the Central Plains to the Celebration in Farmland-in-spring in Fujian and Taiwan,from the Yangko fizzing with enthusiasm at the snow village in Northeast China to the mysterious and ancient Nuo Opera in Southwest China,from the passionate and vigorous dragon boat tune in the water town in Hubei to the Firecracker Dragon Festival buzzing with excitement in Bagui,Guangxi,the vast land of 9.6 million square kilometers of China is suddenly aroused by the New Year bell,with the playing of a glorious chapter in harmony,achieving in jointly drawing a traditional Chinese New Year in a nonheritage picture scroll.
