Dear Sir, I am Dong Hyun Ji, from the Department of Ophthalmology of St. Vincent’s Hospital, Suwon, Korea. I write to present a very severely recurrent basal cell carcinoma (BCC) in lower lid invading left orbit and ...Dear Sir, I am Dong Hyun Ji, from the Department of Ophthalmology of St. Vincent’s Hospital, Suwon, Korea. I write to present a very severely recurrent basal cell carcinoma (BCC) in lower lid invading left orbit and whole hemiface,展开更多
Faces and their aesthetic appreciation are a core element of social interaction.Although studies have been made on facial processing when looking at faces with different perspectives,a direct comparison of faces in th...Faces and their aesthetic appreciation are a core element of social interaction.Although studies have been made on facial processing when looking at faces with different perspectives,a direct comparison of faces in the left to the right perspective is missing.Portraits in classical Western art indicate a preference of the left compared to the right perspective,but the neural underpinnings of such an asymmetry still have to be clarified.Using functional magnetic resonance imaging,the current study focuses on the processing of three-quarter faces seen with different perspectives.Seventeen participants were asked to passively look at photographs of six male and six female faces with a neutral expression;the photographs were taken from the left,right,and frontal perspectives while keeping their focus on the eyes.The results showed that specific brain areas were involved in processing the three-quarter faces in either symmetric or asymmetric ways.Viewing left and right three-quarter faces resulted in two mirror-like activations in the striate cortex corresponding to the symmetric layout of the left and right perspectives.Viewing the left face resulted additionally in an enhanced activation also in the left extrastriate cortex.The right perspective of male faces elicited a lower activation compared to other perspectives in face-selective areas of the brain.Our findings suggest that the preference of the left three-quarter face emerges already in the early visual pathway presumably prior to facial identification,emotional processing,and aesthetic appreciation.Our observations may have general importance in disentangling different neural components and processing stages in the spatiotemporal characteristics of artistic expressions.展开更多
文摘Dear Sir, I am Dong Hyun Ji, from the Department of Ophthalmology of St. Vincent’s Hospital, Suwon, Korea. I write to present a very severely recurrent basal cell carcinoma (BCC) in lower lid invading left orbit and whole hemiface,
基金Hanns-Seidel FoundationNational Natural Science Foundation of China,Grant/Award Numbers:31371018,31771213Parmenides Foundation。
文摘Faces and their aesthetic appreciation are a core element of social interaction.Although studies have been made on facial processing when looking at faces with different perspectives,a direct comparison of faces in the left to the right perspective is missing.Portraits in classical Western art indicate a preference of the left compared to the right perspective,but the neural underpinnings of such an asymmetry still have to be clarified.Using functional magnetic resonance imaging,the current study focuses on the processing of three-quarter faces seen with different perspectives.Seventeen participants were asked to passively look at photographs of six male and six female faces with a neutral expression;the photographs were taken from the left,right,and frontal perspectives while keeping their focus on the eyes.The results showed that specific brain areas were involved in processing the three-quarter faces in either symmetric or asymmetric ways.Viewing left and right three-quarter faces resulted in two mirror-like activations in the striate cortex corresponding to the symmetric layout of the left and right perspectives.Viewing the left face resulted additionally in an enhanced activation also in the left extrastriate cortex.The right perspective of male faces elicited a lower activation compared to other perspectives in face-selective areas of the brain.Our findings suggest that the preference of the left three-quarter face emerges already in the early visual pathway presumably prior to facial identification,emotional processing,and aesthetic appreciation.Our observations may have general importance in disentangling different neural components and processing stages in the spatiotemporal characteristics of artistic expressions.
