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凯瑟琳·安·波特《愚人船》里的戈罗比安主义与反寓言书写
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作者 柯英 《浙江外国语学院学报》 2025年第4期99-105,共7页
美国作家凯瑟琳·安·波特在她唯一的长篇小说《愚人船》里聚焦以粗俗的餐桌文化为主要表征的戈罗比安主义,再现了二战前夕德国民众的面貌。同时她把戈罗比安主义扩大到餐桌外,对不同背景乘客的丑恶言行进行了刻画。除了戈罗比... 美国作家凯瑟琳·安·波特在她唯一的长篇小说《愚人船》里聚焦以粗俗的餐桌文化为主要表征的戈罗比安主义,再现了二战前夕德国民众的面貌。同时她把戈罗比安主义扩大到餐桌外,对不同背景乘客的丑恶言行进行了刻画。除了戈罗比安主义对应的动物之外,小说里还出现了其他种类动物的形象,以一种反寓言的书写形式来投射人物的动物性,尤其是两名儿童与蛇的关联性,揭露了残酷的成人世界对儿童的侵蚀。尽管如此,在《愚人船》的阴暗图景里,波特并没有把人性之光全部熄灭,而是在一幕幕冷酷无情的闹剧间偶尔穿插温情的画面,预示着救赎的希望。 展开更多
关键词 凯瑟琳·安·波特 《愚人船》 戈罗比安主义 反寓言
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The Ideology of "Swings between Reality and Illusion" in Mo Yan's Pow!
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作者 Jerry XIE 《Frontiers of Literary Studies in China-Selected Publications from Chinese Universities》 2017年第4期688-738,共51页
According to Angelica Duran and Yuhan Huang, Mo Yan's "artistic works" are "towering within the literatures of the world." His novel Si shi yi pao (Pow!, 2o12) offers one of the clearest recent examples of what... According to Angelica Duran and Yuhan Huang, Mo Yan's "artistic works" are "towering within the literatures of the world." His novel Si shi yi pao (Pow!, 2o12) offers one of the clearest recent examples of what Shelley W. Chan calls Mo's "postmodern playfulness." In his afterword to Pow! Mo says that the story "gives way to an improvisation that swings between reality and illusion," thus suggesting the notion of "hallucinatory realism" as a "blending" or "merging" of the illusory and the real. This article examines the ideology--that is, the class politics of consciousness--of this swingy postmodern storytelling, taking a critical view of Mo's playfully bold assertion: "I've always taken pride in my lack of ideology, especially when I'm writing." I argue that the swinginess of "imagination" in Pow! embodies what Marx calls a "happy confusion" that (re)articulates the "post"-class doctrine of "combine two into one." 展开更多
关键词 "combine two into one cynical consciousness grobian illusorybeing Mo Yan obscurantism "one divides into two Pow!
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