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CONTRIBUTO ALLA CONOSCENZA DEGLI ANFIBI DELLA VAL TROMPIA (Brescia, Lombardia)
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作者 ROLANDO BENNATI 《Natural Disaster Reduction in China》 1992年第1期349-358,共10页
L’Autore riporta notizie sulla distribuzione degli Anfibi in Val Trompia (Brescia) confron-tando i risultati di questa indagine con i dati storici riportati da Autori dell’Ottocento. A note on the Amphibians of Val ... L’Autore riporta notizie sulla distribuzione degli Anfibi in Val Trompia (Brescia) confron-tando i risultati di questa indagine con i dati storici riportati da Autori dell’Ottocento. A note on the Amphibians of Val Trompia (Brescia, Lombardy). The Authors gives someinformations on the distribution of the Amphibians in Val Trompia. He also makes some comparisonsbetween the results obtained from his survey and the data supplied by Ninenteenth century Authors. 展开更多
关键词 TNR Lombardia CONTRIBUTO ALLA CONOSCENZA degli ANFIBI DELLA VAL TROMPIA Brescia
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“回归”罗马——米开朗基罗与圣玛利亚·德利安杰利教堂
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作者 李倩 《华中建筑》 2024年第3期29-32,共4页
圣玛利亚·德利安杰利教堂由古罗马的戴克里先大浴场遗迹改造而成,米开朗基罗串联起大浴场中最核心的三大浴厅,在打造教堂空间的同时对古罗马进行“回归”。该文从多个维度对米开朗基罗的设计做出界定和分析,解读设计中的超越性及... 圣玛利亚·德利安杰利教堂由古罗马的戴克里先大浴场遗迹改造而成,米开朗基罗串联起大浴场中最核心的三大浴厅,在打造教堂空间的同时对古罗马进行“回归”。该文从多个维度对米开朗基罗的设计做出界定和分析,解读设计中的超越性及启发性。 展开更多
关键词 米开朗基罗 古罗马 改造 圣玛利亚·德利安杰利教堂 戴克里先大浴场
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包容的遗产——对圣玛利亚·德利安杰利教堂项目的梳理和思考
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作者 李倩 《华中建筑》 2024年第7期27-32,共6页
16世纪中叶米开朗基罗将古罗马戴克里先大浴场中的三大浴厅改造为圣玛利亚·德利安杰利教堂,之后历经多次改造而呈现出当下多“历史层”并存的模样。该文对每一阶段的具体操作进行梳理,认知其背后的实际诉求和价值诠释,思考此项目... 16世纪中叶米开朗基罗将古罗马戴克里先大浴场中的三大浴厅改造为圣玛利亚·德利安杰利教堂,之后历经多次改造而呈现出当下多“历史层”并存的模样。该文对每一阶段的具体操作进行梳理,认知其背后的实际诉求和价值诠释,思考此项目中所展示的遗产保护实践的某种可能性。 展开更多
关键词 建筑遗产 保护实践 价值多样性 戴克里先大浴场 圣玛利亚·德利安杰利教堂
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Giorgio Vasari’s Mercury: God of Magic and Wisdom
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作者 Liana De Girolami Cheney 《Cultural and Religious Studies》 2019年第10期511-549,共39页
In 1555,assisted by Cristofano Gherardi,Il Doceno(1508-1556),Giorgio Vasari(1511-1574)designed and painted a mythological and cosmological theme in the Sala degli Elementi,an apartment of Cosimo I de’Medici(1519-1574... In 1555,assisted by Cristofano Gherardi,Il Doceno(1508-1556),Giorgio Vasari(1511-1574)designed and painted a mythological and cosmological theme in the Sala degli Elementi,an apartment of Cosimo I de’Medici(1519-1574),Duke of Florence,at the Palazzo Vecchio in Florence.The Apartment of the Elements is dedicated to the four elements(air,earth,fire,and water),which in antiquity were considered to be the basis of the material of the world.The four elements are personified as a history painting theme on the ceiling and the walls of the chamber.Accordingly,on the ceiling is the element of Air,personified by several events:Its center depicts Saturn Mutilating Heaven and surrounding this scene are The Chariots of the Sun and the Moon,the images of Day and Night,and the virtues of Peace,Fame,Justice,and Truth.On the walls of the chamber,there are personifications of the elements of Earth(north),Fire(east),and Water(south).The frescoes on the left hand wall relate to the element of Earth.In the center of the north wall,the first fruits of the Earth are offered to Saturn.1 On the adjacent wall,east wall,above the fireplace,are scenes relating to the element of Fire:Vulcan’s Forge is depicted in the center of wall.2 On the adjacent wall,south wall,the element of Water is symbolized with The Birth of Venus.3 On the window wall,west wall,are two large niches containing simulated sculptures of Hermes-Mercury and Hades-Pluto.These two images connect thematically with the wall decoration of the elements and the pantheon of the gods on the ceiling.This essay will focus only on the image of Hermes-Mercury.It consists of two parts:the stylistic impact of classical and Renaissance sources of this astral and pagan god in Vasari’s imagery,and the signification of the personification of Mercury associated and interconnected with Cosimo I de’Medici,Duke of Florence. 展开更多
关键词 Hermes/Mercury Hades/Pluto MYTHOLOGY ASTROLOGY symbolism Palazzo Vecchio Sala degli Elementi classical and Renaissance traditions tarot cards NEOPLATONISM history painting
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