Inflated nationalism, extreme statism and a purely speculative form of expression were the three main components of the modem mainstream culture of the German nation. Only through a scientific critique of these three ...Inflated nationalism, extreme statism and a purely speculative form of expression were the three main components of the modem mainstream culture of the German nation. Only through a scientific critique of these three main components could a new philosophy develop. That is the cultural logic of Marx＇s philosophical revolution, which emerged and developed through a critique of historiography, socialism and political economy, rather than in an isolated framework of traditional philosophy. The cultural logic of Marx＇s philosophical revolution offers two lessons for us in developing Marxist philosophy in China. First, to fail to understand and study Marxism as a whole and conduct dialogue and interaction across all fields of Marxism would be a deviation from the cultural logic of Marx＇s philosophical revolution and the path of development of Marxist philosophy. Second, the core task of Marxist philosophical studies is the Sinicization of Marxist philosophy in China. This involves making methodological summaries of contemporary scientific findings and reflecting upon the most important issues of Chinese-style socialism, providing at the philosophical level and from the perspective of world history a scientific interpretation of the process, mechanisms, characteristics, patterns and trends of contemporary Chinese social development that will yield a guide for practice.展开更多
This study examines the bidirectional shaping mechanism between short-video algorithms and film narratives within the attention economy.It investigates how algorithmic logic influences cinematic storytelling and how f...This study examines the bidirectional shaping mechanism between short-video algorithms and film narratives within the attention economy.It investigates how algorithmic logic influences cinematic storytelling and how films,in turn,contribute to the aesthetic enhancement of short-video content.Drawing on Communication Accommodation Theory and Berry’s Acculturation Theory,along with case analyses and industry data,this research demonstrates that algorithms push films toward high-stimulus,fast-paced narrative patterns—characterized by increased shot density and structural fragmentation—to capture and retain viewer attention.Conversely,films counter this influence by supplying narratively deep and artistically refined content that elevates short-video aesthetics and encourages critical audience engagement.This dynamic reflects a process of mutual adaptation rather than one-sided dominance.The study concludes that such interaction signifies a broader restructuring of cultural production logic,facilitating cross-media convergence while simultaneously posing risks to cultural diversity due to the prioritization of high-traffic content.Balancing this relationship will require policy support,algorithmic transparency,and strengthened industry self-regulation to preserve artistic integrity and cultural ecosystem diversity.展开更多
文摘Inflated nationalism, extreme statism and a purely speculative form of expression were the three main components of the modem mainstream culture of the German nation. Only through a scientific critique of these three main components could a new philosophy develop. That is the cultural logic of Marx＇s philosophical revolution, which emerged and developed through a critique of historiography, socialism and political economy, rather than in an isolated framework of traditional philosophy. The cultural logic of Marx＇s philosophical revolution offers two lessons for us in developing Marxist philosophy in China. First, to fail to understand and study Marxism as a whole and conduct dialogue and interaction across all fields of Marxism would be a deviation from the cultural logic of Marx＇s philosophical revolution and the path of development of Marxist philosophy. Second, the core task of Marxist philosophical studies is the Sinicization of Marxist philosophy in China. This involves making methodological summaries of contemporary scientific findings and reflecting upon the most important issues of Chinese-style socialism, providing at the philosophical level and from the perspective of world history a scientific interpretation of the process, mechanisms, characteristics, patterns and trends of contemporary Chinese social development that will yield a guide for practice.
文摘This study examines the bidirectional shaping mechanism between short-video algorithms and film narratives within the attention economy.It investigates how algorithmic logic influences cinematic storytelling and how films,in turn,contribute to the aesthetic enhancement of short-video content.Drawing on Communication Accommodation Theory and Berry’s Acculturation Theory,along with case analyses and industry data,this research demonstrates that algorithms push films toward high-stimulus,fast-paced narrative patterns—characterized by increased shot density and structural fragmentation—to capture and retain viewer attention.Conversely,films counter this influence by supplying narratively deep and artistically refined content that elevates short-video aesthetics and encourages critical audience engagement.This dynamic reflects a process of mutual adaptation rather than one-sided dominance.The study concludes that such interaction signifies a broader restructuring of cultural production logic,facilitating cross-media convergence while simultaneously posing risks to cultural diversity due to the prioritization of high-traffic content.Balancing this relationship will require policy support,algorithmic transparency,and strengthened industry self-regulation to preserve artistic integrity and cultural ecosystem diversity.
